Defqon 1 2011 Music Festival In Netherlands

Defqon 1 2011 Music Festival In Netherlands

Powered by the success of that song and “O.P.P.”, their self titled album went platinum. So that’s what that Domecracker thing is, me and Joc. And then – as quickly as it had captivated us, it was over.

DJ Nysus aka Dion Freeborn of Northern Virginia — who recently opened for Superstar DJ Keoki at Shorty’s in Baltimore, and shared the bill with Stanton Warriors at DC Star — is a popular fixture in the DC/Baltimore scene and beyond.

Later on I was able to get my hands on a Roland XP-60 Workstation and a Roland MV-8000 Sampler/Sequencer. Again this is physical hardware that you are able to play. The XP-60 had stock sounds but could you not add sounds. However, the MV-8000 which is a sampler/sequencer was able to add sounds and sample. This really opened the door for creativity being able to import new sounds and sample new things.

My first name is short for Dionysus, the Greek god of wine, fertility and music. I used to go by DJ Dionysus in the late ’90’s but it would always get misspelled on fliers and mispronounced, so I shortened it around 2002 to DJ Nysus.

After taking a hiatus from hip-hop to explore house music and produce Stevie Wonder tribute shows, DJ Spinna returns with his latest album, Sonic Smash. In part one of this lengthy interview, the humble producer speaks on the 90’s NY underground scene and how Funkmaster Flex almost stole his record.

Secondly let me talk a little bit about software used for creating beats. The first piece of software that I used was Cakewalk, followed by Fruit Loops Studio and finally Reason by Propellerhead. I had always liked the feel of Hardware until I got used to using software. In my opinion, the biggest advantage to using software is the price. You can get software for a third of the price you spend on hardware. If you are PC literate which a lot of the younger generation is now, it is easier to cut, copy and paste within the software. This was not as easy when breakbeat using Hardware.

Given the nature of EOTO’s live shows, do the masters of musical improvisation feel pressure to top the last show or enjoy the freedom to explore uncharted territory? Without hesitation, Hann stated that they find the inventiveness exhilarating.

Examiner: You just mentioned Rawkus Records. I know some of the artists from that time have since become disillusioned with that era, especially with Rawkus. Did you have any issues with the label yourself?

The use of top hip hop samples in music production still refuses to die. Until now, beat makers keep on utilizing tools, gathering and creating sounds, producing effects, and eventually prepare the stage for the musical satisfaction of the audience.

Powered by the success of that song and “O.P.P.”, their self titled album went platinum. So that’s what that Domecracker thing is, me and Joc. And then – as quickly as it had captivated us, it was over.

DJ Nysus aka Dion Freeborn of Northern Virginia — who recently opened for Superstar DJ Keoki at Shorty’s in Baltimore, and shared the bill with Stanton Warriors at DC Star — is a popular fixture in the DC/Baltimore scene and beyond.

Later on I was able to get my hands on a Roland XP-60 Workstation and a Roland MV-8000 Sampler/Sequencer. Again this is physical hardware that you are able to play. The XP-60 had stock sounds but could you not add sounds. However, the MV-8000 which is a sampler/sequencer was able to add sounds and sample. This really opened the door for creativity being able to import new sounds and sample new things.

My first name is short for Dionysus, the Greek god of wine, fertility and music. I used to go by DJ Dionysus in the late ’90’s but it would always get misspelled on fliers and mispronounced, so I shortened it around 2002 to DJ Nysus.

After taking a hiatus from hip-hop to explore house music and produce Stevie Wonder tribute shows, DJ Spinna returns with his latest album, Sonic Smash. In part one of this lengthy interview, the humble producer speaks on the 90’s NY underground scene and how Funkmaster Flex almost stole his record.

Secondly let me talk a little bit about software used for creating beats. The first piece of software that I used was Cakewalk, followed by Fruit Loops Studio and finally Reason by Propellerhead. I had always liked the feel of Hardware until I got used to using software. In my opinion, the biggest advantage to using software is the price. You can get software for a third of the price you spend on hardware. If you are PC literate which a lot of the younger generation is now, it is easier to cut, copy and paste within the software. This was not as easy when breakbeat using Hardware.

Given the nature of EOTO’s live shows, do the masters of musical improvisation feel pressure to top the last show or enjoy the freedom to explore uncharted territory? Without hesitation, Hann stated that they find the inventiveness exhilarating.

Examiner: You just mentioned Rawkus Records. I know some of the artists from that time have since become disillusioned with that era, especially with Rawkus. Did you have any issues with the label yourself?

The use of top hip hop samples in music production still refuses to die. Until now, beat makers keep on utilizing tools, gathering and creating sounds, producing effects, and eventually prepare the stage for the musical satisfaction of the audience.

Defqon 1 2011 Music Festival In Netherlands

Defqon 1 2011 Music Festival In Netherlands

Powered by the success of that song and “O.P.P.”, their self titled album went platinum. So that’s what that Domecracker thing is, me and Joc. And then – as quickly as it had captivated us, it was over.

DJ Nysus aka Dion Freeborn of Northern Virginia — who recently opened for Superstar DJ Keoki at Shorty’s in Baltimore, and shared the bill with Stanton Warriors at DC Star — is a popular fixture in the DC/Baltimore scene and beyond.

Later on I was able to get my hands on a Roland XP-60 Workstation and a Roland MV-8000 Sampler/Sequencer. Again this is physical hardware that you are able to play. The XP-60 had stock sounds but could you not add sounds. However, the MV-8000 which is a sampler/sequencer was able to add sounds and sample. This really opened the door for creativity being able to import new sounds and sample new things.

My first name is short for Dionysus, the Greek god of wine, fertility and music. I used to go by DJ Dionysus in the late ’90’s but it would always get misspelled on fliers and mispronounced, so I shortened it around 2002 to DJ Nysus.

After taking a hiatus from hip-hop to explore house music and produce Stevie Wonder tribute shows, DJ Spinna returns with his latest album, Sonic Smash. In part one of this lengthy interview, the humble producer speaks on the 90’s NY underground scene and how Funkmaster Flex almost stole his record.

Secondly let me talk a little bit about software used for creating beats. The first piece of software that I used was Cakewalk, followed by Fruit Loops Studio and finally Reason by Propellerhead. I had always liked the feel of Hardware until I got used to using software. In my opinion, the biggest advantage to using software is the price. You can get software for a third of the price you spend on hardware. If you are PC literate which a lot of the younger generation is now, it is easier to cut, copy and paste within the software. This was not as easy when breakbeat using Hardware.

Given the nature of EOTO’s live shows, do the masters of musical improvisation feel pressure to top the last show or enjoy the freedom to explore uncharted territory? Without hesitation, Hann stated that they find the inventiveness exhilarating.

Examiner: You just mentioned Rawkus Records. I know some of the artists from that time have since become disillusioned with that era, especially with Rawkus. Did you have any issues with the label yourself?

The use of top hip hop samples in music production still refuses to die. Until now, beat makers keep on utilizing tools, gathering and creating sounds, producing effects, and eventually prepare the stage for the musical satisfaction of the audience.

Powered by the success of that song and “O.P.P.”, their self titled album went platinum. So that’s what that Domecracker thing is, me and Joc. And then – as quickly as it had captivated us, it was over.

DJ Nysus aka Dion Freeborn of Northern Virginia — who recently opened for Superstar DJ Keoki at Shorty’s in Baltimore, and shared the bill with Stanton Warriors at DC Star — is a popular fixture in the DC/Baltimore scene and beyond.

Later on I was able to get my hands on a Roland XP-60 Workstation and a Roland MV-8000 Sampler/Sequencer. Again this is physical hardware that you are able to play. The XP-60 had stock sounds but could you not add sounds. However, the MV-8000 which is a sampler/sequencer was able to add sounds and sample. This really opened the door for creativity being able to import new sounds and sample new things.

My first name is short for Dionysus, the Greek god of wine, fertility and music. I used to go by DJ Dionysus in the late ’90’s but it would always get misspelled on fliers and mispronounced, so I shortened it around 2002 to DJ Nysus.

After taking a hiatus from hip-hop to explore house music and produce Stevie Wonder tribute shows, DJ Spinna returns with his latest album, Sonic Smash. In part one of this lengthy interview, the humble producer speaks on the 90’s NY underground scene and how Funkmaster Flex almost stole his record.

Secondly let me talk a little bit about software used for creating beats. The first piece of software that I used was Cakewalk, followed by Fruit Loops Studio and finally Reason by Propellerhead. I had always liked the feel of Hardware until I got used to using software. In my opinion, the biggest advantage to using software is the price. You can get software for a third of the price you spend on hardware. If you are PC literate which a lot of the younger generation is now, it is easier to cut, copy and paste within the software. This was not as easy when breakbeat using Hardware.

Given the nature of EOTO’s live shows, do the masters of musical improvisation feel pressure to top the last show or enjoy the freedom to explore uncharted territory? Without hesitation, Hann stated that they find the inventiveness exhilarating.

Examiner: You just mentioned Rawkus Records. I know some of the artists from that time have since become disillusioned with that era, especially with Rawkus. Did you have any issues with the label yourself?

The use of top hip hop samples in music production still refuses to die. Until now, beat makers keep on utilizing tools, gathering and creating sounds, producing effects, and eventually prepare the stage for the musical satisfaction of the audience.