Defqon 1 2011 Music Festival In Netherlands

Defqon 1 2011 Music Festival In Netherlands

Definitely makes it easy to remember with it being on such a monumental New Year’s Eve. Audience appreciated if a DJ played more than one styles despite of hammering away in the same tone. Starscape Festival 2008 was definitely a dream realized.

Recently, the genre has started becoming more popular with youth around the world thanks to the internet revolution. Drum and bass is synonymous to jungle, a type of electronic dance music which can be identified by its fast tempo and broken beat drums. The bass is also very heavy. Though today it is still underground, it is slowly surfacing and making its way into youth culture, especially in the UK, where it originated.

Later on I was able to get my hands on a Roland XP-60 Workstation and a Roland MV-8000 Sampler/Sequencer. Again this is physical hardware that you are able to play. The XP-60 had stock sounds but could you not add sounds. However, the MV-8000 which is a sampler/sequencer was able to add sounds and sample. This really opened the door for creativity being able to import new sounds and sample breakbeat new things.

The bassline in drum and bass plays half of the speed of the drums. The changing of this equation produces “faster” and “slower” sounding tracks. Guitar riffs and extra beats are added and the BPMs are made higher to alter the sound of the song. Since 1996, tracks have remained in the mid-170 BPM range, producing what we know today as drum and bass.

The Rave scene, however, is much harder to pinpoint a motive to. Many have believed that is because there wasn’t one- making it not even classifiable as a “movement” at all. This couldn’t be further from the truth-it’s just hard for anthropologists to understand that the motive was “SIMPLY MUSIC.” This single fact puts the ‘Rave” movement closer to the early 20th century American Jazz movement- than the hippies. Folks had a hard time understanding jazz, too- provoking Louie Armstrong to his famous quote, “If you have to ask- you’ll never know.” Certainly, this is also true for the “Rave” scene.

Examiner: You definitely came to be a figurehead in the late-90s underground boom in New York. Can you tell me what types of things you thought really made that scene special, really made it something like a movement?

I guess at the forefront of the underground “religious” movement, was the band “Rabbit in The Moon.” Even in the two, very short conversations I had with Monk in the 90s, it was obvious that they knew they were doing something completely different. Somehow, Rabbit were able to meld the chainsaws and death/destruction of the previous Goth scene with the late-night Rave scene. Their dark/ethereal show, combined with dark/trancy breaks-seemed to tell a story- and in that story- seemed to be hidden references to this “Raver religion.” Once, at a 4AM outdoor show, during a 3 day festival in Gainesville- Confucius even spoke of a hidden religion of some sort.

Though it is frequently played on the radio in the UK, drum and bass’s real life line is the internet. Its online presence is immense, specifically with internet radio stations dedicated to the genre and its promotion. The latest mixes also come from the internet. Two of the most popular drum and bass website are Drum and Bass Arena and Dogs On Acid.

Definitely makes it easy to remember with it being on such a monumental New Year’s Eve. Audience appreciated if a DJ played more than one styles despite of hammering away in the same tone. Starscape Festival 2008 was definitely a dream realized.

Recently, the genre has started becoming more popular with youth around the world thanks to the internet revolution. Drum and bass is synonymous to jungle, a type of electronic dance music which can be identified by its fast tempo and broken beat drums. The bass is also very heavy. Though today it is still underground, it is slowly surfacing and making its way into youth culture, especially in the UK, where it originated.

Later on I was able to get my hands on a Roland XP-60 Workstation and a Roland MV-8000 Sampler/Sequencer. Again this is physical hardware that you are able to play. The XP-60 had stock sounds but could you not add sounds. However, the MV-8000 which is a sampler/sequencer was able to add sounds and sample. This really opened the door for creativity being able to import new sounds and sample breakbeat new things.

The bassline in drum and bass plays half of the speed of the drums. The changing of this equation produces “faster” and “slower” sounding tracks. Guitar riffs and extra beats are added and the BPMs are made higher to alter the sound of the song. Since 1996, tracks have remained in the mid-170 BPM range, producing what we know today as drum and bass.

The Rave scene, however, is much harder to pinpoint a motive to. Many have believed that is because there wasn’t one- making it not even classifiable as a “movement” at all. This couldn’t be further from the truth-it’s just hard for anthropologists to understand that the motive was “SIMPLY MUSIC.” This single fact puts the ‘Rave” movement closer to the early 20th century American Jazz movement- than the hippies. Folks had a hard time understanding jazz, too- provoking Louie Armstrong to his famous quote, “If you have to ask- you’ll never know.” Certainly, this is also true for the “Rave” scene.

Examiner: You definitely came to be a figurehead in the late-90s underground boom in New York. Can you tell me what types of things you thought really made that scene special, really made it something like a movement?

I guess at the forefront of the underground “religious” movement, was the band “Rabbit in The Moon.” Even in the two, very short conversations I had with Monk in the 90s, it was obvious that they knew they were doing something completely different. Somehow, Rabbit were able to meld the chainsaws and death/destruction of the previous Goth scene with the late-night Rave scene. Their dark/ethereal show, combined with dark/trancy breaks-seemed to tell a story- and in that story- seemed to be hidden references to this “Raver religion.” Once, at a 4AM outdoor show, during a 3 day festival in Gainesville- Confucius even spoke of a hidden religion of some sort.

Though it is frequently played on the radio in the UK, drum and bass’s real life line is the internet. Its online presence is immense, specifically with internet radio stations dedicated to the genre and its promotion. The latest mixes also come from the internet. Two of the most popular drum and bass website are Drum and Bass Arena and Dogs On Acid.

Defqon 1 2011 Music Festival In Netherlands

Defqon 1 2011 Music Festival In Netherlands

Definitely makes it easy to remember with it being on such a monumental New Year’s Eve. Audience appreciated if a DJ played more than one styles despite of hammering away in the same tone. Starscape Festival 2008 was definitely a dream realized.

Recently, the genre has started becoming more popular with youth around the world thanks to the internet revolution. Drum and bass is synonymous to jungle, a type of electronic dance music which can be identified by its fast tempo and broken beat drums. The bass is also very heavy. Though today it is still underground, it is slowly surfacing and making its way into youth culture, especially in the UK, where it originated.

Later on I was able to get my hands on a Roland XP-60 Workstation and a Roland MV-8000 Sampler/Sequencer. Again this is physical hardware that you are able to play. The XP-60 had stock sounds but could you not add sounds. However, the MV-8000 which is a sampler/sequencer was able to add sounds and sample. This really opened the door for creativity being able to import new sounds and sample breakbeat new things.

The bassline in drum and bass plays half of the speed of the drums. The changing of this equation produces “faster” and “slower” sounding tracks. Guitar riffs and extra beats are added and the BPMs are made higher to alter the sound of the song. Since 1996, tracks have remained in the mid-170 BPM range, producing what we know today as drum and bass.

The Rave scene, however, is much harder to pinpoint a motive to. Many have believed that is because there wasn’t one- making it not even classifiable as a “movement” at all. This couldn’t be further from the truth-it’s just hard for anthropologists to understand that the motive was “SIMPLY MUSIC.” This single fact puts the ‘Rave” movement closer to the early 20th century American Jazz movement- than the hippies. Folks had a hard time understanding jazz, too- provoking Louie Armstrong to his famous quote, “If you have to ask- you’ll never know.” Certainly, this is also true for the “Rave” scene.

Examiner: You definitely came to be a figurehead in the late-90s underground boom in New York. Can you tell me what types of things you thought really made that scene special, really made it something like a movement?

I guess at the forefront of the underground “religious” movement, was the band “Rabbit in The Moon.” Even in the two, very short conversations I had with Monk in the 90s, it was obvious that they knew they were doing something completely different. Somehow, Rabbit were able to meld the chainsaws and death/destruction of the previous Goth scene with the late-night Rave scene. Their dark/ethereal show, combined with dark/trancy breaks-seemed to tell a story- and in that story- seemed to be hidden references to this “Raver religion.” Once, at a 4AM outdoor show, during a 3 day festival in Gainesville- Confucius even spoke of a hidden religion of some sort.

Though it is frequently played on the radio in the UK, drum and bass’s real life line is the internet. Its online presence is immense, specifically with internet radio stations dedicated to the genre and its promotion. The latest mixes also come from the internet. Two of the most popular drum and bass website are Drum and Bass Arena and Dogs On Acid.

Definitely makes it easy to remember with it being on such a monumental New Year’s Eve. Audience appreciated if a DJ played more than one styles despite of hammering away in the same tone. Starscape Festival 2008 was definitely a dream realized.

Recently, the genre has started becoming more popular with youth around the world thanks to the internet revolution. Drum and bass is synonymous to jungle, a type of electronic dance music which can be identified by its fast tempo and broken beat drums. The bass is also very heavy. Though today it is still underground, it is slowly surfacing and making its way into youth culture, especially in the UK, where it originated.

Later on I was able to get my hands on a Roland XP-60 Workstation and a Roland MV-8000 Sampler/Sequencer. Again this is physical hardware that you are able to play. The XP-60 had stock sounds but could you not add sounds. However, the MV-8000 which is a sampler/sequencer was able to add sounds and sample. This really opened the door for creativity being able to import new sounds and sample breakbeat new things.

The bassline in drum and bass plays half of the speed of the drums. The changing of this equation produces “faster” and “slower” sounding tracks. Guitar riffs and extra beats are added and the BPMs are made higher to alter the sound of the song. Since 1996, tracks have remained in the mid-170 BPM range, producing what we know today as drum and bass.

The Rave scene, however, is much harder to pinpoint a motive to. Many have believed that is because there wasn’t one- making it not even classifiable as a “movement” at all. This couldn’t be further from the truth-it’s just hard for anthropologists to understand that the motive was “SIMPLY MUSIC.” This single fact puts the ‘Rave” movement closer to the early 20th century American Jazz movement- than the hippies. Folks had a hard time understanding jazz, too- provoking Louie Armstrong to his famous quote, “If you have to ask- you’ll never know.” Certainly, this is also true for the “Rave” scene.

Examiner: You definitely came to be a figurehead in the late-90s underground boom in New York. Can you tell me what types of things you thought really made that scene special, really made it something like a movement?

I guess at the forefront of the underground “religious” movement, was the band “Rabbit in The Moon.” Even in the two, very short conversations I had with Monk in the 90s, it was obvious that they knew they were doing something completely different. Somehow, Rabbit were able to meld the chainsaws and death/destruction of the previous Goth scene with the late-night Rave scene. Their dark/ethereal show, combined with dark/trancy breaks-seemed to tell a story- and in that story- seemed to be hidden references to this “Raver religion.” Once, at a 4AM outdoor show, during a 3 day festival in Gainesville- Confucius even spoke of a hidden religion of some sort.

Though it is frequently played on the radio in the UK, drum and bass’s real life line is the internet. Its online presence is immense, specifically with internet radio stations dedicated to the genre and its promotion. The latest mixes also come from the internet. Two of the most popular drum and bass website are Drum and Bass Arena and Dogs On Acid.