Defqon 1 2011 Music Festival In Netherlands

Defqon 1 2011 Music Festival In Netherlands

Hardstyle fans, like one other music genre have been often disputing. Recently, the genre has started becoming more popular with youth around the world thanks to the internet revolution. In the midst of it all, it had also become a fashion show.

After all, some fans prefer artists that stick to a tried and true concert formula, playing a tune live that is indistinguishable from the studio version. Other fans want something a little more diverse. Bands that play a different set list every night, for instance.

Given the nature of EOTO’s live shows, do the masters of musical improvisation feel pressure to top the last show or enjoy the freedom to explore uncharted territory? Without hesitation Hann stated that they find breakbeat the inventiveness exhilarating.

Drum and bass branched off from the rave scene during the 1980s and since then, multiple elements have been incorporated into it. Jazz, rock, trance, metal, house, hip hop, and many other genres fused into the bass beats to give each track a unique feel.

The album also generated another hit, a reworking of Bob Marley’s “No Woman No Cry” called “Everything’s Gonna be All Right” (the track was also called “Ghetto Bastard” on some explicit releases). That song detailed the experiences of Treach growing up in poverty, and now rising up to live a better life. Powered by the success of that song and “O.P.P.”, their self titled album went platinum.

Four years later in 1999, the group released its fifth album, titled Nineteen Naughty Nine: Nature’s Fury. The album was fairly successful, being certified Gold by the RIAA, and spawned the hit “Jamboree” that peaked at #10 on the Billboard Hot 100 .

That’s exactly what seasoned drummers Michael Travis and Jason Hann had in mind when they formed EOTO in 2006. Hann talked about the band’s electrifying improvisation before a recent gig in Atlanta.

Examiner: You just mentioned Rawkus Records. I know some of the artists from that time have since become disillusioned with that era, especially with Rawkus. Did you have any issues with the label yourself?

The use of top hip hop samples in music production still refuses to die. Until now, beat makers keep on utilizing tools, gathering and creating sounds, producing effects, and eventually prepare the stage for the musical satisfaction of the audience.

Hardstyle fans, like one other music genre have been often disputing. Recently, the genre has started becoming more popular with youth around the world thanks to the internet revolution. In the midst of it all, it had also become a fashion show.

After all, some fans prefer artists that stick to a tried and true concert formula, playing a tune live that is indistinguishable from the studio version. Other fans want something a little more diverse. Bands that play a different set list every night, for instance.

Given the nature of EOTO’s live shows, do the masters of musical improvisation feel pressure to top the last show or enjoy the freedom to explore uncharted territory? Without hesitation Hann stated that they find breakbeat the inventiveness exhilarating.

Drum and bass branched off from the rave scene during the 1980s and since then, multiple elements have been incorporated into it. Jazz, rock, trance, metal, house, hip hop, and many other genres fused into the bass beats to give each track a unique feel.

The album also generated another hit, a reworking of Bob Marley’s “No Woman No Cry” called “Everything’s Gonna be All Right” (the track was also called “Ghetto Bastard” on some explicit releases). That song detailed the experiences of Treach growing up in poverty, and now rising up to live a better life. Powered by the success of that song and “O.P.P.”, their self titled album went platinum.

Four years later in 1999, the group released its fifth album, titled Nineteen Naughty Nine: Nature’s Fury. The album was fairly successful, being certified Gold by the RIAA, and spawned the hit “Jamboree” that peaked at #10 on the Billboard Hot 100 .

That’s exactly what seasoned drummers Michael Travis and Jason Hann had in mind when they formed EOTO in 2006. Hann talked about the band’s electrifying improvisation before a recent gig in Atlanta.

Examiner: You just mentioned Rawkus Records. I know some of the artists from that time have since become disillusioned with that era, especially with Rawkus. Did you have any issues with the label yourself?

The use of top hip hop samples in music production still refuses to die. Until now, beat makers keep on utilizing tools, gathering and creating sounds, producing effects, and eventually prepare the stage for the musical satisfaction of the audience.

Defqon 1 2011 Music Festival In Netherlands

Defqon 1 2011 Music Festival In Netherlands

Hardstyle fans, like one other music genre have been often disputing. Recently, the genre has started becoming more popular with youth around the world thanks to the internet revolution. In the midst of it all, it had also become a fashion show.

After all, some fans prefer artists that stick to a tried and true concert formula, playing a tune live that is indistinguishable from the studio version. Other fans want something a little more diverse. Bands that play a different set list every night, for instance.

Given the nature of EOTO’s live shows, do the masters of musical improvisation feel pressure to top the last show or enjoy the freedom to explore uncharted territory? Without hesitation Hann stated that they find breakbeat the inventiveness exhilarating.

Drum and bass branched off from the rave scene during the 1980s and since then, multiple elements have been incorporated into it. Jazz, rock, trance, metal, house, hip hop, and many other genres fused into the bass beats to give each track a unique feel.

The album also generated another hit, a reworking of Bob Marley’s “No Woman No Cry” called “Everything’s Gonna be All Right” (the track was also called “Ghetto Bastard” on some explicit releases). That song detailed the experiences of Treach growing up in poverty, and now rising up to live a better life. Powered by the success of that song and “O.P.P.”, their self titled album went platinum.

Four years later in 1999, the group released its fifth album, titled Nineteen Naughty Nine: Nature’s Fury. The album was fairly successful, being certified Gold by the RIAA, and spawned the hit “Jamboree” that peaked at #10 on the Billboard Hot 100 .

That’s exactly what seasoned drummers Michael Travis and Jason Hann had in mind when they formed EOTO in 2006. Hann talked about the band’s electrifying improvisation before a recent gig in Atlanta.

Examiner: You just mentioned Rawkus Records. I know some of the artists from that time have since become disillusioned with that era, especially with Rawkus. Did you have any issues with the label yourself?

The use of top hip hop samples in music production still refuses to die. Until now, beat makers keep on utilizing tools, gathering and creating sounds, producing effects, and eventually prepare the stage for the musical satisfaction of the audience.

Hardstyle fans, like one other music genre have been often disputing. Recently, the genre has started becoming more popular with youth around the world thanks to the internet revolution. In the midst of it all, it had also become a fashion show.

After all, some fans prefer artists that stick to a tried and true concert formula, playing a tune live that is indistinguishable from the studio version. Other fans want something a little more diverse. Bands that play a different set list every night, for instance.

Given the nature of EOTO’s live shows, do the masters of musical improvisation feel pressure to top the last show or enjoy the freedom to explore uncharted territory? Without hesitation Hann stated that they find breakbeat the inventiveness exhilarating.

Drum and bass branched off from the rave scene during the 1980s and since then, multiple elements have been incorporated into it. Jazz, rock, trance, metal, house, hip hop, and many other genres fused into the bass beats to give each track a unique feel.

The album also generated another hit, a reworking of Bob Marley’s “No Woman No Cry” called “Everything’s Gonna be All Right” (the track was also called “Ghetto Bastard” on some explicit releases). That song detailed the experiences of Treach growing up in poverty, and now rising up to live a better life. Powered by the success of that song and “O.P.P.”, their self titled album went platinum.

Four years later in 1999, the group released its fifth album, titled Nineteen Naughty Nine: Nature’s Fury. The album was fairly successful, being certified Gold by the RIAA, and spawned the hit “Jamboree” that peaked at #10 on the Billboard Hot 100 .

That’s exactly what seasoned drummers Michael Travis and Jason Hann had in mind when they formed EOTO in 2006. Hann talked about the band’s electrifying improvisation before a recent gig in Atlanta.

Examiner: You just mentioned Rawkus Records. I know some of the artists from that time have since become disillusioned with that era, especially with Rawkus. Did you have any issues with the label yourself?

The use of top hip hop samples in music production still refuses to die. Until now, beat makers keep on utilizing tools, gathering and creating sounds, producing effects, and eventually prepare the stage for the musical satisfaction of the audience.