You could however record patterns and then arrange those patterns into songs. NT (Kool & The Gang) – This features one of the ever-present drum breaks that you could hear in almost every hip hop song.
When hip hop was nearly beginning, it was very much compulsory to keep a compilation of samples and drum breaks. But as time passes by, the use of the same songs repeatedly became less indispensable because of the modern sampling technology and the overture of live instrumentation.
Given the nature of EOTO’s live shows, do the masters of musical improvisation feel pressure to top the last show or enjoy the freedom to explore uncharted territory? Without hesitation, Hann stated that they find the inventiveness exhilarating.
The 10 year “scene” from 1990-2000 in Florida certainly went through a decisive change in its course. In 1993 when I was introduced to the whole thing as a definitive “culture” (not just sitting around listening to music), you would get off work at your construction job or whatever, still be wearing your work uniform, and show up at these late night parties, eat an ecstasy pill, and enjoy some good company. Conversation and the “personal journey” seemed more important than anything else.
There are honestly too many to name. I definitely play a lot of the breakbeat greats of today in my sets including Stanton Warriors and the Plump DJ’s and all the bigger UK Sound that I love so much now. But as far as inspiration to push myself and my craft, I get that almost exclusively from the amazing talented locals that DC has. I am lucky enough to either be in a crew with them or friends with them or constantly working on random musical projects. That is the life blood that keeps me moving!
EOTO is now a full time gig for the pair with a seemingly endless tour featuring over 700 shows and sold out performances in every market in the country. They fine-tune their approach and skill with each and every show they play, making the next performance more unique than the last.
Starscape Festival 2008 was definitely a dream realized. Otakon Anime Festival in Baltimore is an interesting show and always one of my most memorable. Winning the Fans Pick the DJ’s contest back in 2005 and getting a Main Room slot at CUBIK was definitely another realization of a dream. I could go on and on, but my favorite current venue to play is the Black Hole in Maryland, a little place but I love it there!
The Rave scene, however, is much harder to pinpoint a motive to. Many have believed that is because there wasn’t one- making it not even classifiable as a “movement” at all. This couldn’t be further from the truth-it’s just hard for anthropologists to understand that the motive was “SIMPLY MUSIC.” This single fact puts the ‘Rave” movement closer to the early 20th century American Jazz movement- than the hippies. Folks had a hard time understanding jazz, too- provoking Louie Armstrong to his famous quote, “If you have to ask- you’ll never know.” Certainly, this is also true for the “Rave” scene.
If hard and punk rock isn’t the right tune for Sunday evening, then head down the street to The Five Spot to hear some New Orleans-bred funk! Water Seed is putting together an awesome show to highlight their soulful and funky ways at the best spot for funk concerts. Opening up for this band will be Kev Choice, emcee and pianist with a jazz and soul influence, and another New Orleans native Casme’ providing some fun and soulful tunes.