Audience appreciated if a DJ played more than one styles despite of hammering away in the same tone. Of course, EOTO’s innovative brand of live electronic music is designed for invention. This was my first piece of “real” studio equipment.
Do you remember the fresh smell of the Florida air and the sweet sting of the wind through your hair while speeding down the interstate, windows down, blasting the baddess-ass Breakz track noone’s ever heard at 1AM- your crew in the back seat rolling their asses off, while you all knew you were about to entirely “make” the vibe of the party?
Later, the group had multiple hits from its third and fourth albums, called 19 Naughty III and Poverty’s Paradise respectively. Both albums reached the #1 spot on the R&B/Hip-Hop Charts. “Hip Hop Hooray” was a success from the album 19 Naughty III.
It’s one thing when a seasoned band like Dinosaur Jr. comes to the neighborhood for a one-of-a-kind show. It’s another thing when that seasoned band comes with a Q&A featuring a one-of-a-kind entertainer like Henry Rollins. Performing their re-issued album Bug in its entirety, the indie/alternative rock band will headline Variety Playhouse with OFF! – featuring Keith Morris of Black Flag – opening the show, as well as the Q&A hosted by actor/comedian/singer Henry Rollins of Black Flag.
Given the nature of EOTO’s live shows do the masters of musical improvisation breakbeat feel pressure to top the last show or enjoy the freedom to explore uncharted territory? Without hesitation, Hann stated that they find the inventiveness exhilarating.
Drum and bass branched off from the rave scene during the 1980s and since then, multiple elements have been incorporated into it. Jazz, rock, trance, metal, house, hip hop, and many other genres fused into the bass beats to give each track a unique feel.
Ensure that the samples you choose will suit your style. Thus, it is very important that you keep listening to a variety of samples in order to know how each would sound. Remember, you have to express the mood you want to suggest and the emotions you want to convey on your song.
Secondly let me talk a little bit about software used for creating beats. The first piece of software that I used was Cakewalk, followed by Fruit Loops Studio and finally Reason by Propellerhead. I had always liked the feel of Hardware until I got used to using software. In my opinion, the biggest advantage to using software is the price. You can get software for a third of the price you spend on hardware. If you are PC literate which a lot of the younger generation is now, it is easier to cut, copy and paste within the software. This was not as easy when using Hardware.
I was approached by East West [Records]. That [Das EFX “Microphone Master”] was the first official remix and I was in Kansas. I had to get the job done so I brought Joc Max in and did it with him. Everything that we did, we labeled it Domecrackers. We eventually wanted to do a project called the Domecracker Project where me and him produce the whole record. But that still has yet to come to fruition. We talk about it all the time. He’s like a best friend, actually, like a brother. I speak to him all the time even outside of the music thing. So that’s what that Domecracker thing is, me and Joc.