Believe me, I Was, AM, and Always Will BE.Sunrise Society. Despite the popular preference of it being club music, many albums have been produced for personal listening. New Year’s Eve party at New Energy in York, Pennsylvania.
After all, some fans prefer artists that stick to a tried and true concert formula, playing a tune live that is indistinguishable from the studio version. Other fans want something a little more diverse. Bands that play a different set list every night, for instance.
Examiner: To get back to you and your history, I know you’ve been DJing since the early ’80s. But you got your first big break with the record, “Everybody Bounce.” Can you tell me about that?
Ready Or Not, Here I Come (The Delfonics) – This music sample was actually made popular by Timberland when he arranged his partner Missy Elliott with the wonderful hit for Sock It 2 Me. This became so hot which turned out to be Missy Elliot’s best work. Da Brat was even invited on it.
Examiner: You just mentioned Rawkus Records. I know some of the artists from that time have since become disillusioned with that era, especially with Rawkus. Did you have any issues with breakbeat the label yourself?
Though the home base of drum and bass is in the UK, this infectious genre has spread itself globally. Strong scenes include: Australia, New Zealand, Canada, South Africa, and the United States. Drum and bass also enjoys popular in Eastern and Northern Europe as well as South America, particularly Brazil and Venezuela. Asian drum and bass scenes include Japan, Singapore, Malaysia, and Indonesia.
My first name is short for Dionysus, the Greek god of wine, fertility and music. I used to go by DJ Dionysus in the late ’90’s but it would always get misspelled on fliers and mispronounced, so I shortened it around 2002 to DJ Nysus.
Listening to Drop the Lime is like catching an aural virus. A feverish urge swells in your temporal lobe. You get chills. Sweat beads form on your forehead. Your mouth dries and begs for water or a chilled cocktail. Suddenly, that feverish urge grows like a hearbeat in your temple, forcing you, slowly but surely, to bang your head dizzyingly to the beat. Boom-waht-boom-waht-chagachaga-boom-waht.
The night was capped off with a salute to the production team who had backed Amanda Davids’ latest recording, including DJ Xplisit, Shai Locke, and mastering genius Karl Machat. And then – as quickly as it had captivated us, it was over. It left us wanting. It left us excited to buy Canadian music. It left us willing to pursue the discovery of underpromoted arts and culture. It left us wishing we had restocked our cars with our favourite Herbie Hancock and Mary J. Blige cd’s for the ride home.