G.O.O.D. Music Cypher From Bet Hip Hop Awards

G.O.O.D. Music Cypher From Bet Hip Hop Awards

Remember, you have to express the mood you want to suggest and the emotions you want to convey on your song. I think it came with two Gemini XL 500 tables and a little Scratch mixer. The XP-60 had stock sounds but could you not add sounds.
Do you remember the fresh smell of the Florida air and the sweet sting of the wind through your hair while speeding down the interstate, windows down, blasting the baddess-ass Breakz track noone’s ever heard at 1AM- your crew in the back seat rolling their asses off, while you all knew you were about to entirely “make” the vibe of the party?

Tight as a drum and relentlessly upbeat, Same As He Ever Was is an irresistible progression of electro breakbeat fun that guarantees temporary amnesia from the insanity known as the real world.

Ensure that the samples you choose will suit your style. Thus, it is very important that you keep listening to a variety of samples in order to know how each would sound. Remember, you have to express the mood you want to suggest and the emotions you want to convey on your song.

Think About It (Lyn Collins) – Rob Base & DJ E-Z Rock’s popular hip hop club hit “It Takes Two” has used the funk classic beat “Think (About It) as its loop sample.

I guess at the forefront of the underground “religious” movement, was the band “Rabbit in The Moon.” Even in the two, very short conversations I had with Monk in the 90s, it was obvious that they knew they were doing something completely different. Somehow, Rabbit were able to meld the chainsaws and death/destruction of the previous Goth scene with the late-night Rave scene. Their dark/ethereal show, combined with dark/trancy breaks-seemed to tell a story- and in that story- seemed to be hidden references to this “Raver religion.” Once, at a 4AM outdoor show, during a 3 day festival in Gainesville- Confucius even spoke of a hidden religion of some sort.

On Friday, She Craves, Dented, and One Eyed Doll will be rocking Stubb’s (Do512 link). Just down the street at 6th and Red River, Mixx will be hosting one of it’s first nights of live music after being a nightclub for years. The Beat Dolls, who were an opener for Godsmack at Austin Surf Sesh, will take the stage around 9:30, followed by HMS Foolhardy. Originally from Germany, HMS Foolhardy moved to Austin and just released their EP “Grassrock” a few weeks ago at Mohawk. Closing out the night will be rock duo, Silent Alarm Activated.

And then on top of that, we had shows. There were a lot of shows going on. Radio programming supported it as well. Underground hip-hop radio shows. Every night of the week in New York, you could pretty much tune in somewhere and hear underground hip-hop. So the support system was there back then.

I was approached by East West [Records]. That [Das EFX “Microphone Master”] was the first official remix and I was in Kansas. I had to get the job done so I brought Joc Max in and did it with him. Everything that we did, we labeled it Domecrackers. We eventually wanted to do a project called the Domecracker Project where me and him produce the whole record. But that still has yet to come to fruition. We talk about it all the time. He’s like a best friend, actually, like a brother. I speak to him all the time even outside of the music thing. So that’s what that Domecracker thing is, me and Joc.

Remember, you have to express the mood you want to suggest and the emotions you want to convey on your song. I think it came with two Gemini XL 500 tables and a little Scratch mixer. The XP-60 had stock sounds but could you not add sounds.
Do you remember the fresh smell of the Florida air and the sweet sting of the wind through your hair while speeding down the interstate, windows down, blasting the baddess-ass Breakz track noone’s ever heard at 1AM- your crew in the back seat rolling their asses off, while you all knew you were about to entirely “make” the vibe of the party?

Tight as a drum and relentlessly upbeat, Same As He Ever Was is an irresistible progression of electro breakbeat fun that guarantees temporary amnesia from the insanity known as the real world.

Ensure that the samples you choose will suit your style. Thus, it is very important that you keep listening to a variety of samples in order to know how each would sound. Remember, you have to express the mood you want to suggest and the emotions you want to convey on your song.

Think About It (Lyn Collins) – Rob Base & DJ E-Z Rock’s popular hip hop club hit “It Takes Two” has used the funk classic beat “Think (About It) as its loop sample.

I guess at the forefront of the underground “religious” movement, was the band “Rabbit in The Moon.” Even in the two, very short conversations I had with Monk in the 90s, it was obvious that they knew they were doing something completely different. Somehow, Rabbit were able to meld the chainsaws and death/destruction of the previous Goth scene with the late-night Rave scene. Their dark/ethereal show, combined with dark/trancy breaks-seemed to tell a story- and in that story- seemed to be hidden references to this “Raver religion.” Once, at a 4AM outdoor show, during a 3 day festival in Gainesville- Confucius even spoke of a hidden religion of some sort.

On Friday, She Craves, Dented, and One Eyed Doll will be rocking Stubb’s (Do512 link). Just down the street at 6th and Red River, Mixx will be hosting one of it’s first nights of live music after being a nightclub for years. The Beat Dolls, who were an opener for Godsmack at Austin Surf Sesh, will take the stage around 9:30, followed by HMS Foolhardy. Originally from Germany, HMS Foolhardy moved to Austin and just released their EP “Grassrock” a few weeks ago at Mohawk. Closing out the night will be rock duo, Silent Alarm Activated.

And then on top of that, we had shows. There were a lot of shows going on. Radio programming supported it as well. Underground hip-hop radio shows. Every night of the week in New York, you could pretty much tune in somewhere and hear underground hip-hop. So the support system was there back then.

I was approached by East West [Records]. That [Das EFX “Microphone Master”] was the first official remix and I was in Kansas. I had to get the job done so I brought Joc Max in and did it with him. Everything that we did, we labeled it Domecrackers. We eventually wanted to do a project called the Domecracker Project where me and him produce the whole record. But that still has yet to come to fruition. We talk about it all the time. He’s like a best friend, actually, like a brother. I speak to him all the time even outside of the music thing. So that’s what that Domecracker thing is, me and Joc.

G.O.O.D. Music Cypher From Bet Hip Hop Awards

G.O.O.D. Music Cypher From Bet Hip Hop Awards

Remember, you have to express the mood you want to suggest and the emotions you want to convey on your song. I think it came with two Gemini XL 500 tables and a little Scratch mixer. The XP-60 had stock sounds but could you not add sounds.
Do you remember the fresh smell of the Florida air and the sweet sting of the wind through your hair while speeding down the interstate, windows down, blasting the baddess-ass Breakz track noone’s ever heard at 1AM- your crew in the back seat rolling their asses off, while you all knew you were about to entirely “make” the vibe of the party?

Tight as a drum and relentlessly upbeat, Same As He Ever Was is an irresistible progression of electro breakbeat fun that guarantees temporary amnesia from the insanity known as the real world.

Ensure that the samples you choose will suit your style. Thus, it is very important that you keep listening to a variety of samples in order to know how each would sound. Remember, you have to express the mood you want to suggest and the emotions you want to convey on your song.

Think About It (Lyn Collins) – Rob Base & DJ E-Z Rock’s popular hip hop club hit “It Takes Two” has used the funk classic beat “Think (About It) as its loop sample.

I guess at the forefront of the underground “religious” movement, was the band “Rabbit in The Moon.” Even in the two, very short conversations I had with Monk in the 90s, it was obvious that they knew they were doing something completely different. Somehow, Rabbit were able to meld the chainsaws and death/destruction of the previous Goth scene with the late-night Rave scene. Their dark/ethereal show, combined with dark/trancy breaks-seemed to tell a story- and in that story- seemed to be hidden references to this “Raver religion.” Once, at a 4AM outdoor show, during a 3 day festival in Gainesville- Confucius even spoke of a hidden religion of some sort.

On Friday, She Craves, Dented, and One Eyed Doll will be rocking Stubb’s (Do512 link). Just down the street at 6th and Red River, Mixx will be hosting one of it’s first nights of live music after being a nightclub for years. The Beat Dolls, who were an opener for Godsmack at Austin Surf Sesh, will take the stage around 9:30, followed by HMS Foolhardy. Originally from Germany, HMS Foolhardy moved to Austin and just released their EP “Grassrock” a few weeks ago at Mohawk. Closing out the night will be rock duo, Silent Alarm Activated.

And then on top of that, we had shows. There were a lot of shows going on. Radio programming supported it as well. Underground hip-hop radio shows. Every night of the week in New York, you could pretty much tune in somewhere and hear underground hip-hop. So the support system was there back then.

I was approached by East West [Records]. That [Das EFX “Microphone Master”] was the first official remix and I was in Kansas. I had to get the job done so I brought Joc Max in and did it with him. Everything that we did, we labeled it Domecrackers. We eventually wanted to do a project called the Domecracker Project where me and him produce the whole record. But that still has yet to come to fruition. We talk about it all the time. He’s like a best friend, actually, like a brother. I speak to him all the time even outside of the music thing. So that’s what that Domecracker thing is, me and Joc.

Remember, you have to express the mood you want to suggest and the emotions you want to convey on your song. I think it came with two Gemini XL 500 tables and a little Scratch mixer. The XP-60 had stock sounds but could you not add sounds.
Do you remember the fresh smell of the Florida air and the sweet sting of the wind through your hair while speeding down the interstate, windows down, blasting the baddess-ass Breakz track noone’s ever heard at 1AM- your crew in the back seat rolling their asses off, while you all knew you were about to entirely “make” the vibe of the party?

Tight as a drum and relentlessly upbeat, Same As He Ever Was is an irresistible progression of electro breakbeat fun that guarantees temporary amnesia from the insanity known as the real world.

Ensure that the samples you choose will suit your style. Thus, it is very important that you keep listening to a variety of samples in order to know how each would sound. Remember, you have to express the mood you want to suggest and the emotions you want to convey on your song.

Think About It (Lyn Collins) – Rob Base & DJ E-Z Rock’s popular hip hop club hit “It Takes Two” has used the funk classic beat “Think (About It) as its loop sample.

I guess at the forefront of the underground “religious” movement, was the band “Rabbit in The Moon.” Even in the two, very short conversations I had with Monk in the 90s, it was obvious that they knew they were doing something completely different. Somehow, Rabbit were able to meld the chainsaws and death/destruction of the previous Goth scene with the late-night Rave scene. Their dark/ethereal show, combined with dark/trancy breaks-seemed to tell a story- and in that story- seemed to be hidden references to this “Raver religion.” Once, at a 4AM outdoor show, during a 3 day festival in Gainesville- Confucius even spoke of a hidden religion of some sort.

On Friday, She Craves, Dented, and One Eyed Doll will be rocking Stubb’s (Do512 link). Just down the street at 6th and Red River, Mixx will be hosting one of it’s first nights of live music after being a nightclub for years. The Beat Dolls, who were an opener for Godsmack at Austin Surf Sesh, will take the stage around 9:30, followed by HMS Foolhardy. Originally from Germany, HMS Foolhardy moved to Austin and just released their EP “Grassrock” a few weeks ago at Mohawk. Closing out the night will be rock duo, Silent Alarm Activated.

And then on top of that, we had shows. There were a lot of shows going on. Radio programming supported it as well. Underground hip-hop radio shows. Every night of the week in New York, you could pretty much tune in somewhere and hear underground hip-hop. So the support system was there back then.

I was approached by East West [Records]. That [Das EFX “Microphone Master”] was the first official remix and I was in Kansas. I had to get the job done so I brought Joc Max in and did it with him. Everything that we did, we labeled it Domecrackers. We eventually wanted to do a project called the Domecracker Project where me and him produce the whole record. But that still has yet to come to fruition. We talk about it all the time. He’s like a best friend, actually, like a brother. I speak to him all the time even outside of the music thing. So that’s what that Domecracker thing is, me and Joc.