G.O.O.D. Music Cypher From Bet Hip Hop Awards

G.O.O.D. Music Cypher From Bet Hip Hop Awards

Can you tell me what types of things you thought really made that scene special, really made it something like a movement? First, Frantic Clam, Rook, and Condiment Sandwich will be playing at Flamingo Cantina tonight (Do512 link).

When hip hop was nearly beginning, it was very much compulsory to keep a compilation of samples and drum breaks. But as time passes by, the use of the same songs repeatedly became less indispensable because of the modern sampling technology and the overture of live instrumentation.

Given the nature of EOTO’s live shows, do the masters of musical improvisation feel pressure to top the last show or enjoy the freedom to explore uncharted territory? Without hesitation, Hann stated that they find the inventiveness exhilarating.

This. Right here. is hip hop. While, it’s not necessarily “freestyle,” these MCs from Kanye’s brainchild G.O.O.D. Music label display a level of rhyming that gives homage to the golden era of hip hop, yet captures the promise of what rap has to offer. From the black suites (Rosewood Movement) to DJ Premier providing the breakbeat in the background.this is a classic session.

There were occasions of “mass hallucinations”- things felt and seen by multitudes of different folks on different drugs- some even sober (granted, not many). The music itself seemed to have a hallucinogenic power- and if you could create a beautiful painting with your music- you would literally become a “God” in the scene.

Throbbing bass and thudding beats are the signatures of the venture from Travis and Hann, born out of their shared love of electronic dance music. The project started out as an avenue for the long time friends to blow off steam and generally just have a good time playing around with technology and music.

I guess at the forefront of the underground “religious” movement, was the band “Rabbit in The Moon.” Even in the two, very short conversations I had with Monk in the 90s, it was obvious that they knew they were doing something completely different. Somehow, Rabbit were able to meld the chainsaws and death/destruction of the previous Goth scene with the late-night Rave scene. Their dark/ethereal show, combined with dark/trancy breaks-seemed to tell a story- and in that story- seemed to be hidden references to this “Raver religion.” Once, at a 4AM outdoor show, during a 3 day festival in Gainesville- Confucius even spoke of a hidden religion of some sort.

Whether you want the euphoric moments – or just want to have your face ripped off – you have one more chance to see EOTO in 2010. The band plays their favorite show of the year on New Years – which is set to take place on their home-stomping grounds at City Hall in Denver at 8 pm. The show also features Dieselboy, Liquidstranger, Heyoka, NastyNasty, Nit Grit, Freddy Todd, Rumblejunkie, Jantsen, S.P.E.C.T.R.E., and Ishe to name a few. Tickets are $25 in advance, $40 at the door.

Can you tell me what types of things you thought really made that scene special, really made it something like a movement? First, Frantic Clam, Rook, and Condiment Sandwich will be playing at Flamingo Cantina tonight (Do512 link).

When hip hop was nearly beginning, it was very much compulsory to keep a compilation of samples and drum breaks. But as time passes by, the use of the same songs repeatedly became less indispensable because of the modern sampling technology and the overture of live instrumentation.

Given the nature of EOTO’s live shows, do the masters of musical improvisation feel pressure to top the last show or enjoy the freedom to explore uncharted territory? Without hesitation, Hann stated that they find the inventiveness exhilarating.

This. Right here. is hip hop. While, it’s not necessarily “freestyle,” these MCs from Kanye’s brainchild G.O.O.D. Music label display a level of rhyming that gives homage to the golden era of hip hop, yet captures the promise of what rap has to offer. From the black suites (Rosewood Movement) to DJ Premier providing the breakbeat in the background.this is a classic session.

There were occasions of “mass hallucinations”- things felt and seen by multitudes of different folks on different drugs- some even sober (granted, not many). The music itself seemed to have a hallucinogenic power- and if you could create a beautiful painting with your music- you would literally become a “God” in the scene.

Throbbing bass and thudding beats are the signatures of the venture from Travis and Hann, born out of their shared love of electronic dance music. The project started out as an avenue for the long time friends to blow off steam and generally just have a good time playing around with technology and music.

I guess at the forefront of the underground “religious” movement, was the band “Rabbit in The Moon.” Even in the two, very short conversations I had with Monk in the 90s, it was obvious that they knew they were doing something completely different. Somehow, Rabbit were able to meld the chainsaws and death/destruction of the previous Goth scene with the late-night Rave scene. Their dark/ethereal show, combined with dark/trancy breaks-seemed to tell a story- and in that story- seemed to be hidden references to this “Raver religion.” Once, at a 4AM outdoor show, during a 3 day festival in Gainesville- Confucius even spoke of a hidden religion of some sort.

Whether you want the euphoric moments – or just want to have your face ripped off – you have one more chance to see EOTO in 2010. The band plays their favorite show of the year on New Years – which is set to take place on their home-stomping grounds at City Hall in Denver at 8 pm. The show also features Dieselboy, Liquidstranger, Heyoka, NastyNasty, Nit Grit, Freddy Todd, Rumblejunkie, Jantsen, S.P.E.C.T.R.E., and Ishe to name a few. Tickets are $25 in advance, $40 at the door.

G.O.O.D. Music Cypher From Bet Hip Hop Awards

G.O.O.D. Music Cypher From Bet Hip Hop Awards

Can you tell me what types of things you thought really made that scene special, really made it something like a movement? First, Frantic Clam, Rook, and Condiment Sandwich will be playing at Flamingo Cantina tonight (Do512 link).

When hip hop was nearly beginning, it was very much compulsory to keep a compilation of samples and drum breaks. But as time passes by, the use of the same songs repeatedly became less indispensable because of the modern sampling technology and the overture of live instrumentation.

Given the nature of EOTO’s live shows, do the masters of musical improvisation feel pressure to top the last show or enjoy the freedom to explore uncharted territory? Without hesitation, Hann stated that they find the inventiveness exhilarating.

This. Right here. is hip hop. While, it’s not necessarily “freestyle,” these MCs from Kanye’s brainchild G.O.O.D. Music label display a level of rhyming that gives homage to the golden era of hip hop, yet captures the promise of what rap has to offer. From the black suites (Rosewood Movement) to DJ Premier providing the breakbeat in the background.this is a classic session.

There were occasions of “mass hallucinations”- things felt and seen by multitudes of different folks on different drugs- some even sober (granted, not many). The music itself seemed to have a hallucinogenic power- and if you could create a beautiful painting with your music- you would literally become a “God” in the scene.

Throbbing bass and thudding beats are the signatures of the venture from Travis and Hann, born out of their shared love of electronic dance music. The project started out as an avenue for the long time friends to blow off steam and generally just have a good time playing around with technology and music.

I guess at the forefront of the underground “religious” movement, was the band “Rabbit in The Moon.” Even in the two, very short conversations I had with Monk in the 90s, it was obvious that they knew they were doing something completely different. Somehow, Rabbit were able to meld the chainsaws and death/destruction of the previous Goth scene with the late-night Rave scene. Their dark/ethereal show, combined with dark/trancy breaks-seemed to tell a story- and in that story- seemed to be hidden references to this “Raver religion.” Once, at a 4AM outdoor show, during a 3 day festival in Gainesville- Confucius even spoke of a hidden religion of some sort.

Whether you want the euphoric moments – or just want to have your face ripped off – you have one more chance to see EOTO in 2010. The band plays their favorite show of the year on New Years – which is set to take place on their home-stomping grounds at City Hall in Denver at 8 pm. The show also features Dieselboy, Liquidstranger, Heyoka, NastyNasty, Nit Grit, Freddy Todd, Rumblejunkie, Jantsen, S.P.E.C.T.R.E., and Ishe to name a few. Tickets are $25 in advance, $40 at the door.

Can you tell me what types of things you thought really made that scene special, really made it something like a movement? First, Frantic Clam, Rook, and Condiment Sandwich will be playing at Flamingo Cantina tonight (Do512 link).

When hip hop was nearly beginning, it was very much compulsory to keep a compilation of samples and drum breaks. But as time passes by, the use of the same songs repeatedly became less indispensable because of the modern sampling technology and the overture of live instrumentation.

Given the nature of EOTO’s live shows, do the masters of musical improvisation feel pressure to top the last show or enjoy the freedom to explore uncharted territory? Without hesitation, Hann stated that they find the inventiveness exhilarating.

This. Right here. is hip hop. While, it’s not necessarily “freestyle,” these MCs from Kanye’s brainchild G.O.O.D. Music label display a level of rhyming that gives homage to the golden era of hip hop, yet captures the promise of what rap has to offer. From the black suites (Rosewood Movement) to DJ Premier providing the breakbeat in the background.this is a classic session.

There were occasions of “mass hallucinations”- things felt and seen by multitudes of different folks on different drugs- some even sober (granted, not many). The music itself seemed to have a hallucinogenic power- and if you could create a beautiful painting with your music- you would literally become a “God” in the scene.

Throbbing bass and thudding beats are the signatures of the venture from Travis and Hann, born out of their shared love of electronic dance music. The project started out as an avenue for the long time friends to blow off steam and generally just have a good time playing around with technology and music.

I guess at the forefront of the underground “religious” movement, was the band “Rabbit in The Moon.” Even in the two, very short conversations I had with Monk in the 90s, it was obvious that they knew they were doing something completely different. Somehow, Rabbit were able to meld the chainsaws and death/destruction of the previous Goth scene with the late-night Rave scene. Their dark/ethereal show, combined with dark/trancy breaks-seemed to tell a story- and in that story- seemed to be hidden references to this “Raver religion.” Once, at a 4AM outdoor show, during a 3 day festival in Gainesville- Confucius even spoke of a hidden religion of some sort.

Whether you want the euphoric moments – or just want to have your face ripped off – you have one more chance to see EOTO in 2010. The band plays their favorite show of the year on New Years – which is set to take place on their home-stomping grounds at City Hall in Denver at 8 pm. The show also features Dieselboy, Liquidstranger, Heyoka, NastyNasty, Nit Grit, Freddy Todd, Rumblejunkie, Jantsen, S.P.E.C.T.R.E., and Ishe to name a few. Tickets are $25 in advance, $40 at the door.