G.O.O.D. Music Cypher From Bet Hip Hop Awards

G.O.O.D. Music Cypher From Bet Hip Hop Awards

Jazz, rock, trance, metal, house, hip hop, and many other genres fused into the bass beats to give each track a unique feel. It was notably used in a minor hit known as Girls Around the World by R&B singer Lloyd.
Now that the summer season has officially began, Little Five Points will see a lot more good-quality music and entertainment, and it won’t hesitate to slap everyone in the face! Here are a few highlighting shows for the week.

What really set things off on the underground was my group Jigmastas and Beyond Real, the single that we had out, starting the label, and working with people like J-Live, Mr. Complex, etc. etc. So I would say ’95 was the year that really started things off. I also had–my first remix was “Microphone Master” by Das EFX and “Stakes Is High” by De La Soul. I did two MC Eiht remixes. And that was it. That was the starting point.

Drop the Lime, aka Luca Venezia, mixes breakbeat with house, dubstep, and breakcore to create a trippy backdrop to your inner self, turning boom-waht to an art form. An other-self portrait.

NT (Kool & The Gang) – This features one of the ever-present drum breaks that you could hear in almost every hip hop song. Its first main hip hop appearance was heard as a sample on NWA’s “Gangsta Gangsta”.

Of course, EOTO’s innovative brand of live electronic music is designed for invention. What they achieve on stage is nothing short of astounding. Performed with all of the bells and whistles of a traditional electronic artist plus the addition of live instruments and vocals, the duo creates every bass ridden blast right before your eyes – without the addition of a single pre-recorded track.

After taking a hiatus from hip-hop to explore house music and produce Stevie Wonder tribute shows, DJ Spinna returns with his latest album, Sonic Smash. In part one of this lengthy interview, the humble producer speaks on the 90’s NY underground scene and how Funkmaster Flex almost stole his record.

Eventually, the idea of the “vibe” became more widespread, encompassing everything- the music, the people, the overall feeling of the party. Almost everyone believed in it now. Ravers believed that this entity could appear out of nowhere, much like the “Holy Spirit”, coming down upon the party and blessing it with good times.

10 Years after “Drop The Breakz”, I’m still doing it.just differently. Believe me, I Was, AM, and Always Will BE.Sunrise Society. I can just do it on my own terms now. The “vibe” is still out there. I think it’s in all of us. As long as we’re aware of it, it’ll never die. Call me cheesy, but I feel better for feeling that way. Looking back on the Florida scene in the 90s.

Jazz, rock, trance, metal, house, hip hop, and many other genres fused into the bass beats to give each track a unique feel. It was notably used in a minor hit known as Girls Around the World by R&B singer Lloyd.
Now that the summer season has officially began, Little Five Points will see a lot more good-quality music and entertainment, and it won’t hesitate to slap everyone in the face! Here are a few highlighting shows for the week.

What really set things off on the underground was my group Jigmastas and Beyond Real, the single that we had out, starting the label, and working with people like J-Live, Mr. Complex, etc. etc. So I would say ’95 was the year that really started things off. I also had–my first remix was “Microphone Master” by Das EFX and “Stakes Is High” by De La Soul. I did two MC Eiht remixes. And that was it. That was the starting point.

Drop the Lime, aka Luca Venezia, mixes breakbeat with house, dubstep, and breakcore to create a trippy backdrop to your inner self, turning boom-waht to an art form. An other-self portrait.

NT (Kool & The Gang) – This features one of the ever-present drum breaks that you could hear in almost every hip hop song. Its first main hip hop appearance was heard as a sample on NWA’s “Gangsta Gangsta”.

Of course, EOTO’s innovative brand of live electronic music is designed for invention. What they achieve on stage is nothing short of astounding. Performed with all of the bells and whistles of a traditional electronic artist plus the addition of live instruments and vocals, the duo creates every bass ridden blast right before your eyes – without the addition of a single pre-recorded track.

After taking a hiatus from hip-hop to explore house music and produce Stevie Wonder tribute shows, DJ Spinna returns with his latest album, Sonic Smash. In part one of this lengthy interview, the humble producer speaks on the 90’s NY underground scene and how Funkmaster Flex almost stole his record.

Eventually, the idea of the “vibe” became more widespread, encompassing everything- the music, the people, the overall feeling of the party. Almost everyone believed in it now. Ravers believed that this entity could appear out of nowhere, much like the “Holy Spirit”, coming down upon the party and blessing it with good times.

10 Years after “Drop The Breakz”, I’m still doing it.just differently. Believe me, I Was, AM, and Always Will BE.Sunrise Society. I can just do it on my own terms now. The “vibe” is still out there. I think it’s in all of us. As long as we’re aware of it, it’ll never die. Call me cheesy, but I feel better for feeling that way. Looking back on the Florida scene in the 90s.

G.O.O.D. Music Cypher From Bet Hip Hop Awards

G.O.O.D. Music Cypher From Bet Hip Hop Awards

Jazz, rock, trance, metal, house, hip hop, and many other genres fused into the bass beats to give each track a unique feel. It was notably used in a minor hit known as Girls Around the World by R&B singer Lloyd.
Now that the summer season has officially began, Little Five Points will see a lot more good-quality music and entertainment, and it won’t hesitate to slap everyone in the face! Here are a few highlighting shows for the week.

What really set things off on the underground was my group Jigmastas and Beyond Real, the single that we had out, starting the label, and working with people like J-Live, Mr. Complex, etc. etc. So I would say ’95 was the year that really started things off. I also had–my first remix was “Microphone Master” by Das EFX and “Stakes Is High” by De La Soul. I did two MC Eiht remixes. And that was it. That was the starting point.

Drop the Lime, aka Luca Venezia, mixes breakbeat with house, dubstep, and breakcore to create a trippy backdrop to your inner self, turning boom-waht to an art form. An other-self portrait.

NT (Kool & The Gang) – This features one of the ever-present drum breaks that you could hear in almost every hip hop song. Its first main hip hop appearance was heard as a sample on NWA’s “Gangsta Gangsta”.

Of course, EOTO’s innovative brand of live electronic music is designed for invention. What they achieve on stage is nothing short of astounding. Performed with all of the bells and whistles of a traditional electronic artist plus the addition of live instruments and vocals, the duo creates every bass ridden blast right before your eyes – without the addition of a single pre-recorded track.

After taking a hiatus from hip-hop to explore house music and produce Stevie Wonder tribute shows, DJ Spinna returns with his latest album, Sonic Smash. In part one of this lengthy interview, the humble producer speaks on the 90’s NY underground scene and how Funkmaster Flex almost stole his record.

Eventually, the idea of the “vibe” became more widespread, encompassing everything- the music, the people, the overall feeling of the party. Almost everyone believed in it now. Ravers believed that this entity could appear out of nowhere, much like the “Holy Spirit”, coming down upon the party and blessing it with good times.

10 Years after “Drop The Breakz”, I’m still doing it.just differently. Believe me, I Was, AM, and Always Will BE.Sunrise Society. I can just do it on my own terms now. The “vibe” is still out there. I think it’s in all of us. As long as we’re aware of it, it’ll never die. Call me cheesy, but I feel better for feeling that way. Looking back on the Florida scene in the 90s.

Jazz, rock, trance, metal, house, hip hop, and many other genres fused into the bass beats to give each track a unique feel. It was notably used in a minor hit known as Girls Around the World by R&B singer Lloyd.
Now that the summer season has officially began, Little Five Points will see a lot more good-quality music and entertainment, and it won’t hesitate to slap everyone in the face! Here are a few highlighting shows for the week.

What really set things off on the underground was my group Jigmastas and Beyond Real, the single that we had out, starting the label, and working with people like J-Live, Mr. Complex, etc. etc. So I would say ’95 was the year that really started things off. I also had–my first remix was “Microphone Master” by Das EFX and “Stakes Is High” by De La Soul. I did two MC Eiht remixes. And that was it. That was the starting point.

Drop the Lime, aka Luca Venezia, mixes breakbeat with house, dubstep, and breakcore to create a trippy backdrop to your inner self, turning boom-waht to an art form. An other-self portrait.

NT (Kool & The Gang) – This features one of the ever-present drum breaks that you could hear in almost every hip hop song. Its first main hip hop appearance was heard as a sample on NWA’s “Gangsta Gangsta”.

Of course, EOTO’s innovative brand of live electronic music is designed for invention. What they achieve on stage is nothing short of astounding. Performed with all of the bells and whistles of a traditional electronic artist plus the addition of live instruments and vocals, the duo creates every bass ridden blast right before your eyes – without the addition of a single pre-recorded track.

After taking a hiatus from hip-hop to explore house music and produce Stevie Wonder tribute shows, DJ Spinna returns with his latest album, Sonic Smash. In part one of this lengthy interview, the humble producer speaks on the 90’s NY underground scene and how Funkmaster Flex almost stole his record.

Eventually, the idea of the “vibe” became more widespread, encompassing everything- the music, the people, the overall feeling of the party. Almost everyone believed in it now. Ravers believed that this entity could appear out of nowhere, much like the “Holy Spirit”, coming down upon the party and blessing it with good times.

10 Years after “Drop The Breakz”, I’m still doing it.just differently. Believe me, I Was, AM, and Always Will BE.Sunrise Society. I can just do it on my own terms now. The “vibe” is still out there. I think it’s in all of us. As long as we’re aware of it, it’ll never die. Call me cheesy, but I feel better for feeling that way. Looking back on the Florida scene in the 90s.