Hardstyle Music Festival - Deqon

Hardstyle Music Festival – Deqon

The sound of it has been generally called a four to the floor kick beat and bass line with off-beat grabber style. Video games have put techno in the hands of 12 year-olds, and car commercials have created techno anthems.
Do you remember the fresh smell of the Florida air and the sweet sting of the wind through your hair while speeding down the interstate, windows down, blasting the baddess-ass Breakz track noone’s ever heard at 1AM- your crew in the back seat rolling their asses off, while you all knew you were about to entirely “make” the vibe of the party?

DJ Zany is well-known as a veteran Dj, with huge experience of ten years at the producing and performing in the showbusiness industry. Audience appreciated if a DJ played more than one styles despite of hammering away in the same tone. In the career of Zany, progress and innovation are two key words.

Most of the “clubs” were just one room warehouses with a couple pool tables-but ALWAYS- had the best damn DJ you ever heard, spinning this “new” music. There were always couches available, for when you fell to your “personal journey.” The dancing style we think of today hadn’t evolved yet- you just closed your eyes and did whatever the music made you do. Noone judged you. It was your “journey.” We all had our own to deal with.

Fellow New Jersey native Tony D, accused Naughty by Nature of stealing a sample from his breakbeat album Music Makes You Move and using it on their track “O.P.P.” The matter was settled out of court. Between albums, the group also scored a major hit with the track “Uptown Anthem”, from the soundtrack to the 1992 film Juice.

The decor at Dazzling on King street was abuzz just the same with it’s pastel cream friezes alight with ethereal but ebulliant colours emanating from stealthily stowed colourful LED lights. I spoke to the promoter of the night, entitled “Sake and Soul”, an energetic guy named “Ace” who exclaimed “this will be good, every single table has been booked.” The house band played on. “Sake and Soul”, a reference to the 70’s soul covers typically twisted by the house band into a modern pallette of mash-ups while patrons dine from a menu of pan-asian fusion dishes has been an ongoing fixture of Toronto’s King street scene for over a year now.

Secondly let me talk a little bit about software used for creating beats. The first piece of software that I used was Cakewalk, followed by Fruit Loops Studio and finally Reason by Propellerhead. I had always liked the feel of Hardware until I got used to using software. In my opinion, the biggest advantage to using software is the price. You can get software for a third of the price you spend on hardware. If you are PC literate which a lot of the younger generation is now, it is easier to cut, copy and paste within the software. This was not as easy when using Hardware.

To compare the “Rave” scene in the 90s to the “Hippie” movement is a misnomer. First of all, the Hippie movement had a definite political motive.therefore it was easy to understand. The motive, of course.end the Vietnam War. In the meantime, of course.get as fucked up as you could, while having free-love sex with as many partners as you could physically handle.

The use of top hip hop samples in music production still refuses to die. Until now, beat makers keep on utilizing tools, gathering and creating sounds, producing effects, and eventually prepare the stage for the musical satisfaction of the audience.

The sound of it has been generally called a four to the floor kick beat and bass line with off-beat grabber style. Video games have put techno in the hands of 12 year-olds, and car commercials have created techno anthems.
Do you remember the fresh smell of the Florida air and the sweet sting of the wind through your hair while speeding down the interstate, windows down, blasting the baddess-ass Breakz track noone’s ever heard at 1AM- your crew in the back seat rolling their asses off, while you all knew you were about to entirely “make” the vibe of the party?

DJ Zany is well-known as a veteran Dj, with huge experience of ten years at the producing and performing in the showbusiness industry. Audience appreciated if a DJ played more than one styles despite of hammering away in the same tone. In the career of Zany, progress and innovation are two key words.

Most of the “clubs” were just one room warehouses with a couple pool tables-but ALWAYS- had the best damn DJ you ever heard, spinning this “new” music. There were always couches available, for when you fell to your “personal journey.” The dancing style we think of today hadn’t evolved yet- you just closed your eyes and did whatever the music made you do. Noone judged you. It was your “journey.” We all had our own to deal with.

Fellow New Jersey native Tony D, accused Naughty by Nature of stealing a sample from his breakbeat album Music Makes You Move and using it on their track “O.P.P.” The matter was settled out of court. Between albums, the group also scored a major hit with the track “Uptown Anthem”, from the soundtrack to the 1992 film Juice.

The decor at Dazzling on King street was abuzz just the same with it’s pastel cream friezes alight with ethereal but ebulliant colours emanating from stealthily stowed colourful LED lights. I spoke to the promoter of the night, entitled “Sake and Soul”, an energetic guy named “Ace” who exclaimed “this will be good, every single table has been booked.” The house band played on. “Sake and Soul”, a reference to the 70’s soul covers typically twisted by the house band into a modern pallette of mash-ups while patrons dine from a menu of pan-asian fusion dishes has been an ongoing fixture of Toronto’s King street scene for over a year now.

Secondly let me talk a little bit about software used for creating beats. The first piece of software that I used was Cakewalk, followed by Fruit Loops Studio and finally Reason by Propellerhead. I had always liked the feel of Hardware until I got used to using software. In my opinion, the biggest advantage to using software is the price. You can get software for a third of the price you spend on hardware. If you are PC literate which a lot of the younger generation is now, it is easier to cut, copy and paste within the software. This was not as easy when using Hardware.

To compare the “Rave” scene in the 90s to the “Hippie” movement is a misnomer. First of all, the Hippie movement had a definite political motive.therefore it was easy to understand. The motive, of course.end the Vietnam War. In the meantime, of course.get as fucked up as you could, while having free-love sex with as many partners as you could physically handle.

The use of top hip hop samples in music production still refuses to die. Until now, beat makers keep on utilizing tools, gathering and creating sounds, producing effects, and eventually prepare the stage for the musical satisfaction of the audience.

Hardstyle Music Festival - Deqon

Hardstyle Music Festival – Deqon

The sound of it has been generally called a four to the floor kick beat and bass line with off-beat grabber style. Video games have put techno in the hands of 12 year-olds, and car commercials have created techno anthems.
Do you remember the fresh smell of the Florida air and the sweet sting of the wind through your hair while speeding down the interstate, windows down, blasting the baddess-ass Breakz track noone’s ever heard at 1AM- your crew in the back seat rolling their asses off, while you all knew you were about to entirely “make” the vibe of the party?

DJ Zany is well-known as a veteran Dj, with huge experience of ten years at the producing and performing in the showbusiness industry. Audience appreciated if a DJ played more than one styles despite of hammering away in the same tone. In the career of Zany, progress and innovation are two key words.

Most of the “clubs” were just one room warehouses with a couple pool tables-but ALWAYS- had the best damn DJ you ever heard, spinning this “new” music. There were always couches available, for when you fell to your “personal journey.” The dancing style we think of today hadn’t evolved yet- you just closed your eyes and did whatever the music made you do. Noone judged you. It was your “journey.” We all had our own to deal with.

Fellow New Jersey native Tony D, accused Naughty by Nature of stealing a sample from his breakbeat album Music Makes You Move and using it on their track “O.P.P.” The matter was settled out of court. Between albums, the group also scored a major hit with the track “Uptown Anthem”, from the soundtrack to the 1992 film Juice.

The decor at Dazzling on King street was abuzz just the same with it’s pastel cream friezes alight with ethereal but ebulliant colours emanating from stealthily stowed colourful LED lights. I spoke to the promoter of the night, entitled “Sake and Soul”, an energetic guy named “Ace” who exclaimed “this will be good, every single table has been booked.” The house band played on. “Sake and Soul”, a reference to the 70’s soul covers typically twisted by the house band into a modern pallette of mash-ups while patrons dine from a menu of pan-asian fusion dishes has been an ongoing fixture of Toronto’s King street scene for over a year now.

Secondly let me talk a little bit about software used for creating beats. The first piece of software that I used was Cakewalk, followed by Fruit Loops Studio and finally Reason by Propellerhead. I had always liked the feel of Hardware until I got used to using software. In my opinion, the biggest advantage to using software is the price. You can get software for a third of the price you spend on hardware. If you are PC literate which a lot of the younger generation is now, it is easier to cut, copy and paste within the software. This was not as easy when using Hardware.

To compare the “Rave” scene in the 90s to the “Hippie” movement is a misnomer. First of all, the Hippie movement had a definite political motive.therefore it was easy to understand. The motive, of course.end the Vietnam War. In the meantime, of course.get as fucked up as you could, while having free-love sex with as many partners as you could physically handle.

The use of top hip hop samples in music production still refuses to die. Until now, beat makers keep on utilizing tools, gathering and creating sounds, producing effects, and eventually prepare the stage for the musical satisfaction of the audience.

The sound of it has been generally called a four to the floor kick beat and bass line with off-beat grabber style. Video games have put techno in the hands of 12 year-olds, and car commercials have created techno anthems.
Do you remember the fresh smell of the Florida air and the sweet sting of the wind through your hair while speeding down the interstate, windows down, blasting the baddess-ass Breakz track noone’s ever heard at 1AM- your crew in the back seat rolling their asses off, while you all knew you were about to entirely “make” the vibe of the party?

DJ Zany is well-known as a veteran Dj, with huge experience of ten years at the producing and performing in the showbusiness industry. Audience appreciated if a DJ played more than one styles despite of hammering away in the same tone. In the career of Zany, progress and innovation are two key words.

Most of the “clubs” were just one room warehouses with a couple pool tables-but ALWAYS- had the best damn DJ you ever heard, spinning this “new” music. There were always couches available, for when you fell to your “personal journey.” The dancing style we think of today hadn’t evolved yet- you just closed your eyes and did whatever the music made you do. Noone judged you. It was your “journey.” We all had our own to deal with.

Fellow New Jersey native Tony D, accused Naughty by Nature of stealing a sample from his breakbeat album Music Makes You Move and using it on their track “O.P.P.” The matter was settled out of court. Between albums, the group also scored a major hit with the track “Uptown Anthem”, from the soundtrack to the 1992 film Juice.

The decor at Dazzling on King street was abuzz just the same with it’s pastel cream friezes alight with ethereal but ebulliant colours emanating from stealthily stowed colourful LED lights. I spoke to the promoter of the night, entitled “Sake and Soul”, an energetic guy named “Ace” who exclaimed “this will be good, every single table has been booked.” The house band played on. “Sake and Soul”, a reference to the 70’s soul covers typically twisted by the house band into a modern pallette of mash-ups while patrons dine from a menu of pan-asian fusion dishes has been an ongoing fixture of Toronto’s King street scene for over a year now.

Secondly let me talk a little bit about software used for creating beats. The first piece of software that I used was Cakewalk, followed by Fruit Loops Studio and finally Reason by Propellerhead. I had always liked the feel of Hardware until I got used to using software. In my opinion, the biggest advantage to using software is the price. You can get software for a third of the price you spend on hardware. If you are PC literate which a lot of the younger generation is now, it is easier to cut, copy and paste within the software. This was not as easy when using Hardware.

To compare the “Rave” scene in the 90s to the “Hippie” movement is a misnomer. First of all, the Hippie movement had a definite political motive.therefore it was easy to understand. The motive, of course.end the Vietnam War. In the meantime, of course.get as fucked up as you could, while having free-love sex with as many partners as you could physically handle.

The use of top hip hop samples in music production still refuses to die. Until now, beat makers keep on utilizing tools, gathering and creating sounds, producing effects, and eventually prepare the stage for the musical satisfaction of the audience.