Hardstyle Music Festival - Deqon

Hardstyle Music Festival – Deqon

But my favorite is the Love Commandments a capella over top of the Boy 8-Bit Cricket Scores track. Was the scene becoming “respectable?” Was it becoming a self-supporting movement- or big business? This was my first piece of “real” studio equipment.
Naughty by Nature is a Grammy Award-winning American hip hop trio from East Orange, New Jersey that at the time of its formation in 1989 consisted of Treach, Vin Rock, and the DJ Kay Gee. They are known for being one of the few rap acts who were able to balance success on the pop charts with hardcore rap credibility.

The group’s M.O. is to take the free-wheeling party vibe of a DJ and push it to the next level by using organic instruments, innovative performance technology, and uncharted musical exploration.

I guess at the forefront of the underground “religious” movement, was the band “Rabbit in The Moon.” Even in the two, very short conversations I had with Monk in the 90s, it was obvious that they knew they were doing something completely different. Somehow, Rabbit were able to meld the chainsaws and death/destruction of the previous Goth scene with the late-night Rave scene. Their dark/ethereal show, combined with dark/trancy breaks-seemed to tell a story- and in that story- seemed to be hidden references to this “Raver religion.” Once, at a 4AM outdoor show, during a 3 day festival in Gainesville- Confucius even spoke of a hidden religion of some sort.

The decor at Dazzling on King street was abuzz just the same with it’s pastel cream friezes alight with ethereal but ebulliant colours emanating from stealthily stowed colourful LED lights. I spoke to the promoter of the night, entitled “Sake and Soul”, an energetic guy named “Ace” who exclaimed “this will be good, every single table has been booked.” The house band played on. “Sake and Soul”, a reference to the 70’s soul covers typically twisted by the house band into a modern pallette of mash-ups while patrons dine from a menu of pan-asian fusion dishes has been an ongoing fixture of Toronto’s King street scene for over a year now.

This. Right here. is hip hop. While, it’s not necessarily “freestyle,” these MCs from Kanye’s brainchild G.O.O.D. Music label display a level of rhyming that gives homage to the golden era of hip hop, yet captures the promise of what rap has to offer. From the black suites (Rosewood Movement) to DJ Premier providing the breakbeat in the background.this is a classic session.

Examiner: You just mentioned Rawkus Records. I know some of the artists from that time have since become disillusioned with that era, especially with Rawkus. Did you have any issues with the label yourself?

The use of top hip hop samples in music production still refuses to die. Until now, beat makers keep on utilizing tools, gathering and creating sounds, producing effects, and eventually prepare the stage for the musical satisfaction of the audience.

But my favorite is the Love Commandments a capella over top of the Boy 8-Bit Cricket Scores track. Was the scene becoming “respectable?” Was it becoming a self-supporting movement- or big business? This was my first piece of “real” studio equipment.
Naughty by Nature is a Grammy Award-winning American hip hop trio from East Orange, New Jersey that at the time of its formation in 1989 consisted of Treach, Vin Rock, and the DJ Kay Gee. They are known for being one of the few rap acts who were able to balance success on the pop charts with hardcore rap credibility.

The group’s M.O. is to take the free-wheeling party vibe of a DJ and push it to the next level by using organic instruments, innovative performance technology, and uncharted musical exploration.

I guess at the forefront of the underground “religious” movement, was the band “Rabbit in The Moon.” Even in the two, very short conversations I had with Monk in the 90s, it was obvious that they knew they were doing something completely different. Somehow, Rabbit were able to meld the chainsaws and death/destruction of the previous Goth scene with the late-night Rave scene. Their dark/ethereal show, combined with dark/trancy breaks-seemed to tell a story- and in that story- seemed to be hidden references to this “Raver religion.” Once, at a 4AM outdoor show, during a 3 day festival in Gainesville- Confucius even spoke of a hidden religion of some sort.

The decor at Dazzling on King street was abuzz just the same with it’s pastel cream friezes alight with ethereal but ebulliant colours emanating from stealthily stowed colourful LED lights. I spoke to the promoter of the night, entitled “Sake and Soul”, an energetic guy named “Ace” who exclaimed “this will be good, every single table has been booked.” The house band played on. “Sake and Soul”, a reference to the 70’s soul covers typically twisted by the house band into a modern pallette of mash-ups while patrons dine from a menu of pan-asian fusion dishes has been an ongoing fixture of Toronto’s King street scene for over a year now.

This. Right here. is hip hop. While, it’s not necessarily “freestyle,” these MCs from Kanye’s brainchild G.O.O.D. Music label display a level of rhyming that gives homage to the golden era of hip hop, yet captures the promise of what rap has to offer. From the black suites (Rosewood Movement) to DJ Premier providing the breakbeat in the background.this is a classic session.

Examiner: You just mentioned Rawkus Records. I know some of the artists from that time have since become disillusioned with that era, especially with Rawkus. Did you have any issues with the label yourself?

The use of top hip hop samples in music production still refuses to die. Until now, beat makers keep on utilizing tools, gathering and creating sounds, producing effects, and eventually prepare the stage for the musical satisfaction of the audience.

Hardstyle Music Festival - Deqon

Hardstyle Music Festival – Deqon

But my favorite is the Love Commandments a capella over top of the Boy 8-Bit Cricket Scores track. Was the scene becoming “respectable?” Was it becoming a self-supporting movement- or big business? This was my first piece of “real” studio equipment.
Naughty by Nature is a Grammy Award-winning American hip hop trio from East Orange, New Jersey that at the time of its formation in 1989 consisted of Treach, Vin Rock, and the DJ Kay Gee. They are known for being one of the few rap acts who were able to balance success on the pop charts with hardcore rap credibility.

The group’s M.O. is to take the free-wheeling party vibe of a DJ and push it to the next level by using organic instruments, innovative performance technology, and uncharted musical exploration.

I guess at the forefront of the underground “religious” movement, was the band “Rabbit in The Moon.” Even in the two, very short conversations I had with Monk in the 90s, it was obvious that they knew they were doing something completely different. Somehow, Rabbit were able to meld the chainsaws and death/destruction of the previous Goth scene with the late-night Rave scene. Their dark/ethereal show, combined with dark/trancy breaks-seemed to tell a story- and in that story- seemed to be hidden references to this “Raver religion.” Once, at a 4AM outdoor show, during a 3 day festival in Gainesville- Confucius even spoke of a hidden religion of some sort.

The decor at Dazzling on King street was abuzz just the same with it’s pastel cream friezes alight with ethereal but ebulliant colours emanating from stealthily stowed colourful LED lights. I spoke to the promoter of the night, entitled “Sake and Soul”, an energetic guy named “Ace” who exclaimed “this will be good, every single table has been booked.” The house band played on. “Sake and Soul”, a reference to the 70’s soul covers typically twisted by the house band into a modern pallette of mash-ups while patrons dine from a menu of pan-asian fusion dishes has been an ongoing fixture of Toronto’s King street scene for over a year now.

This. Right here. is hip hop. While, it’s not necessarily “freestyle,” these MCs from Kanye’s brainchild G.O.O.D. Music label display a level of rhyming that gives homage to the golden era of hip hop, yet captures the promise of what rap has to offer. From the black suites (Rosewood Movement) to DJ Premier providing the breakbeat in the background.this is a classic session.

Examiner: You just mentioned Rawkus Records. I know some of the artists from that time have since become disillusioned with that era, especially with Rawkus. Did you have any issues with the label yourself?

The use of top hip hop samples in music production still refuses to die. Until now, beat makers keep on utilizing tools, gathering and creating sounds, producing effects, and eventually prepare the stage for the musical satisfaction of the audience.

But my favorite is the Love Commandments a capella over top of the Boy 8-Bit Cricket Scores track. Was the scene becoming “respectable?” Was it becoming a self-supporting movement- or big business? This was my first piece of “real” studio equipment.
Naughty by Nature is a Grammy Award-winning American hip hop trio from East Orange, New Jersey that at the time of its formation in 1989 consisted of Treach, Vin Rock, and the DJ Kay Gee. They are known for being one of the few rap acts who were able to balance success on the pop charts with hardcore rap credibility.

The group’s M.O. is to take the free-wheeling party vibe of a DJ and push it to the next level by using organic instruments, innovative performance technology, and uncharted musical exploration.

I guess at the forefront of the underground “religious” movement, was the band “Rabbit in The Moon.” Even in the two, very short conversations I had with Monk in the 90s, it was obvious that they knew they were doing something completely different. Somehow, Rabbit were able to meld the chainsaws and death/destruction of the previous Goth scene with the late-night Rave scene. Their dark/ethereal show, combined with dark/trancy breaks-seemed to tell a story- and in that story- seemed to be hidden references to this “Raver religion.” Once, at a 4AM outdoor show, during a 3 day festival in Gainesville- Confucius even spoke of a hidden religion of some sort.

The decor at Dazzling on King street was abuzz just the same with it’s pastel cream friezes alight with ethereal but ebulliant colours emanating from stealthily stowed colourful LED lights. I spoke to the promoter of the night, entitled “Sake and Soul”, an energetic guy named “Ace” who exclaimed “this will be good, every single table has been booked.” The house band played on. “Sake and Soul”, a reference to the 70’s soul covers typically twisted by the house band into a modern pallette of mash-ups while patrons dine from a menu of pan-asian fusion dishes has been an ongoing fixture of Toronto’s King street scene for over a year now.

This. Right here. is hip hop. While, it’s not necessarily “freestyle,” these MCs from Kanye’s brainchild G.O.O.D. Music label display a level of rhyming that gives homage to the golden era of hip hop, yet captures the promise of what rap has to offer. From the black suites (Rosewood Movement) to DJ Premier providing the breakbeat in the background.this is a classic session.

Examiner: You just mentioned Rawkus Records. I know some of the artists from that time have since become disillusioned with that era, especially with Rawkus. Did you have any issues with the label yourself?

The use of top hip hop samples in music production still refuses to die. Until now, beat makers keep on utilizing tools, gathering and creating sounds, producing effects, and eventually prepare the stage for the musical satisfaction of the audience.