Interview: Dj Spinna, Pt. 1

Interview: Dj Spinna, Pt. 1

Examiner: You definitely came to be a figurehead in the late-90s underground boom in New York. He said, as were driving to a party in Orlando, “You see- everyone’s got a job- the dancer- the DJ- the drug-dealer.
Now that the summer season has officially began, Little Five Points will see a lot more good-quality music and entertainment, and it won’t hesitate to slap everyone in the face! Here are a few highlighting shows for the week.

It’s back to kick off the summer season! After the buzz from the first installment of this dub-metal show, it was inevitable for this monstrous event to keep going. Featured for Vol. 2: Mutiny is A Fight for Life, Dan Brown, Collapse of the Empire and a special collaboration between Dubstruction returners Forge by Fire and TRiLLBASS.

I remember the popular slogan One Drug One love which summed up in a nutshell that breakbeat only ecstasy could help you hear this music correctly and any other drug was not only unnecessary but shunned. Other slogans began to turn up in later years, as more dangerous drugs creeped into the underground. “Together we stand- Divided we fall OUT”- explained that if we didn’t watch each other, the scene would not only collapse, but you may end up in the hospital.

Listening to Drop the Lime is like catching an aural virus. A feverish urge swells in your temporal lobe. You get chills. Sweat beads form on your forehead. Your mouth dries and begs for water or a chilled cocktail. Suddenly, that feverish urge grows like a hearbeat in your temple, forcing you, slowly but surely, to bang your head dizzyingly to the beat. Boom-waht-boom-waht-chagachaga-boom-waht.

Because it is a type of dance music, drum and bass can be best appreciated to the fullest extent in clubs and discotheques. The bass is very pronounced, suggest by its name. Despite the popular preference of it being club music, many albums have been produced for personal listening. The most successful drum and bass artists to date include Pendulum, Shy FX, High Contrast, and Black Sun Empire.

It didn’t take long before the scene developed it’s own “work uniform.” Designer sweat pants, visors, and T-Shirts hit the late scene in swarms. By 2005, Ravers were creating their own clothing lines-many going on to gain national markets. You still wore your “work uniform” to the parties, but now it was your “SCENE uniform.” Gone were the days of getting off work at the convenience store and coming straight in to the club. NOW, you went out of your way to look the part, covering yourself in Raver gear like Split, Alien Workshop, and even some national brands that had gotten involved (Puma, Adidas, etc).Those who didn’t have the gear would become “shunned.” The scene that originated as welcoming all, where everyone could be themselves, had changed. And the people changed- to FIT the scene.

I was approached by East West [Records]. That [Das EFX “Microphone Master”] was the first official remix and I was in Kansas. I had to get the job done so I brought Joc Max in and did it with him. Everything that we did, we labeled it Domecrackers. We eventually wanted to do a project called the Domecracker Project where me and him produce the whole record. But that still has yet to come to fruition. We talk about it all the time. He’s like a best friend, actually, like a brother. I speak to him all the time even outside of the music thing. So that’s what that Domecracker thing is, me and Joc.

Examiner: You definitely came to be a figurehead in the late-90s underground boom in New York. He said, as were driving to a party in Orlando, “You see- everyone’s got a job- the dancer- the DJ- the drug-dealer.
Now that the summer season has officially began, Little Five Points will see a lot more good-quality music and entertainment, and it won’t hesitate to slap everyone in the face! Here are a few highlighting shows for the week.

It’s back to kick off the summer season! After the buzz from the first installment of this dub-metal show, it was inevitable for this monstrous event to keep going. Featured for Vol. 2: Mutiny is A Fight for Life, Dan Brown, Collapse of the Empire and a special collaboration between Dubstruction returners Forge by Fire and TRiLLBASS.

I remember the popular slogan One Drug One love which summed up in a nutshell that breakbeat only ecstasy could help you hear this music correctly and any other drug was not only unnecessary but shunned. Other slogans began to turn up in later years, as more dangerous drugs creeped into the underground. “Together we stand- Divided we fall OUT”- explained that if we didn’t watch each other, the scene would not only collapse, but you may end up in the hospital.

Listening to Drop the Lime is like catching an aural virus. A feverish urge swells in your temporal lobe. You get chills. Sweat beads form on your forehead. Your mouth dries and begs for water or a chilled cocktail. Suddenly, that feverish urge grows like a hearbeat in your temple, forcing you, slowly but surely, to bang your head dizzyingly to the beat. Boom-waht-boom-waht-chagachaga-boom-waht.

Because it is a type of dance music, drum and bass can be best appreciated to the fullest extent in clubs and discotheques. The bass is very pronounced, suggest by its name. Despite the popular preference of it being club music, many albums have been produced for personal listening. The most successful drum and bass artists to date include Pendulum, Shy FX, High Contrast, and Black Sun Empire.

It didn’t take long before the scene developed it’s own “work uniform.” Designer sweat pants, visors, and T-Shirts hit the late scene in swarms. By 2005, Ravers were creating their own clothing lines-many going on to gain national markets. You still wore your “work uniform” to the parties, but now it was your “SCENE uniform.” Gone were the days of getting off work at the convenience store and coming straight in to the club. NOW, you went out of your way to look the part, covering yourself in Raver gear like Split, Alien Workshop, and even some national brands that had gotten involved (Puma, Adidas, etc).Those who didn’t have the gear would become “shunned.” The scene that originated as welcoming all, where everyone could be themselves, had changed. And the people changed- to FIT the scene.

I was approached by East West [Records]. That [Das EFX “Microphone Master”] was the first official remix and I was in Kansas. I had to get the job done so I brought Joc Max in and did it with him. Everything that we did, we labeled it Domecrackers. We eventually wanted to do a project called the Domecracker Project where me and him produce the whole record. But that still has yet to come to fruition. We talk about it all the time. He’s like a best friend, actually, like a brother. I speak to him all the time even outside of the music thing. So that’s what that Domecracker thing is, me and Joc.

Interview: Dj Spinna, Pt. 1

Interview: Dj Spinna, Pt. 1

Examiner: You definitely came to be a figurehead in the late-90s underground boom in New York. He said, as were driving to a party in Orlando, “You see- everyone’s got a job- the dancer- the DJ- the drug-dealer.
Now that the summer season has officially began, Little Five Points will see a lot more good-quality music and entertainment, and it won’t hesitate to slap everyone in the face! Here are a few highlighting shows for the week.

It’s back to kick off the summer season! After the buzz from the first installment of this dub-metal show, it was inevitable for this monstrous event to keep going. Featured for Vol. 2: Mutiny is A Fight for Life, Dan Brown, Collapse of the Empire and a special collaboration between Dubstruction returners Forge by Fire and TRiLLBASS.

I remember the popular slogan One Drug One love which summed up in a nutshell that breakbeat only ecstasy could help you hear this music correctly and any other drug was not only unnecessary but shunned. Other slogans began to turn up in later years, as more dangerous drugs creeped into the underground. “Together we stand- Divided we fall OUT”- explained that if we didn’t watch each other, the scene would not only collapse, but you may end up in the hospital.

Listening to Drop the Lime is like catching an aural virus. A feverish urge swells in your temporal lobe. You get chills. Sweat beads form on your forehead. Your mouth dries and begs for water or a chilled cocktail. Suddenly, that feverish urge grows like a hearbeat in your temple, forcing you, slowly but surely, to bang your head dizzyingly to the beat. Boom-waht-boom-waht-chagachaga-boom-waht.

Because it is a type of dance music, drum and bass can be best appreciated to the fullest extent in clubs and discotheques. The bass is very pronounced, suggest by its name. Despite the popular preference of it being club music, many albums have been produced for personal listening. The most successful drum and bass artists to date include Pendulum, Shy FX, High Contrast, and Black Sun Empire.

It didn’t take long before the scene developed it’s own “work uniform.” Designer sweat pants, visors, and T-Shirts hit the late scene in swarms. By 2005, Ravers were creating their own clothing lines-many going on to gain national markets. You still wore your “work uniform” to the parties, but now it was your “SCENE uniform.” Gone were the days of getting off work at the convenience store and coming straight in to the club. NOW, you went out of your way to look the part, covering yourself in Raver gear like Split, Alien Workshop, and even some national brands that had gotten involved (Puma, Adidas, etc).Those who didn’t have the gear would become “shunned.” The scene that originated as welcoming all, where everyone could be themselves, had changed. And the people changed- to FIT the scene.

I was approached by East West [Records]. That [Das EFX “Microphone Master”] was the first official remix and I was in Kansas. I had to get the job done so I brought Joc Max in and did it with him. Everything that we did, we labeled it Domecrackers. We eventually wanted to do a project called the Domecracker Project where me and him produce the whole record. But that still has yet to come to fruition. We talk about it all the time. He’s like a best friend, actually, like a brother. I speak to him all the time even outside of the music thing. So that’s what that Domecracker thing is, me and Joc.

Examiner: You definitely came to be a figurehead in the late-90s underground boom in New York. He said, as were driving to a party in Orlando, “You see- everyone’s got a job- the dancer- the DJ- the drug-dealer.
Now that the summer season has officially began, Little Five Points will see a lot more good-quality music and entertainment, and it won’t hesitate to slap everyone in the face! Here are a few highlighting shows for the week.

It’s back to kick off the summer season! After the buzz from the first installment of this dub-metal show, it was inevitable for this monstrous event to keep going. Featured for Vol. 2: Mutiny is A Fight for Life, Dan Brown, Collapse of the Empire and a special collaboration between Dubstruction returners Forge by Fire and TRiLLBASS.

I remember the popular slogan One Drug One love which summed up in a nutshell that breakbeat only ecstasy could help you hear this music correctly and any other drug was not only unnecessary but shunned. Other slogans began to turn up in later years, as more dangerous drugs creeped into the underground. “Together we stand- Divided we fall OUT”- explained that if we didn’t watch each other, the scene would not only collapse, but you may end up in the hospital.

Listening to Drop the Lime is like catching an aural virus. A feverish urge swells in your temporal lobe. You get chills. Sweat beads form on your forehead. Your mouth dries and begs for water or a chilled cocktail. Suddenly, that feverish urge grows like a hearbeat in your temple, forcing you, slowly but surely, to bang your head dizzyingly to the beat. Boom-waht-boom-waht-chagachaga-boom-waht.

Because it is a type of dance music, drum and bass can be best appreciated to the fullest extent in clubs and discotheques. The bass is very pronounced, suggest by its name. Despite the popular preference of it being club music, many albums have been produced for personal listening. The most successful drum and bass artists to date include Pendulum, Shy FX, High Contrast, and Black Sun Empire.

It didn’t take long before the scene developed it’s own “work uniform.” Designer sweat pants, visors, and T-Shirts hit the late scene in swarms. By 2005, Ravers were creating their own clothing lines-many going on to gain national markets. You still wore your “work uniform” to the parties, but now it was your “SCENE uniform.” Gone were the days of getting off work at the convenience store and coming straight in to the club. NOW, you went out of your way to look the part, covering yourself in Raver gear like Split, Alien Workshop, and even some national brands that had gotten involved (Puma, Adidas, etc).Those who didn’t have the gear would become “shunned.” The scene that originated as welcoming all, where everyone could be themselves, had changed. And the people changed- to FIT the scene.

I was approached by East West [Records]. That [Das EFX “Microphone Master”] was the first official remix and I was in Kansas. I had to get the job done so I brought Joc Max in and did it with him. Everything that we did, we labeled it Domecrackers. We eventually wanted to do a project called the Domecracker Project where me and him produce the whole record. But that still has yet to come to fruition. We talk about it all the time. He’s like a best friend, actually, like a brother. I speak to him all the time even outside of the music thing. So that’s what that Domecracker thing is, me and Joc.