Interview: Dj Spinna, Pt. 1

Interview: Dj Spinna, Pt. 1

Everything that we did, we labeled it Domecrackers. On Friday, She Craves, Dented, and One Eyed Doll will be rocking Stubb’s (Do512 link). This was my first piece of “real” studio equipment. You weren’t sh*t unless Spinna laced you with a remix.
Famed producer DJ Spinna rose up during the mid-90’s underground rap boom in New York, leading the way for many a rapper to don Jansports and spit at the establishment. Spinna, real name Vincent Williams, came to be a rite of passage for underground rappers. You weren’t sh*t unless Spinna laced you with a remix. Consequently, he worked with everyone from Pharoahe Monch to J-Live to Mos Def to Guru from Gangstarr and even to a young Eminem.

Always check the format of the song you want to sample. The MP3 format is not well-matched with most software and typically just transfer your sample to MP3.

After taking a hiatus from hip-hop to explore house music and produce Stevie Wonder tribute shows, DJ Spinna returns with his latest album, Sonic Smash. In part one of this lengthy interview, the humble producer speaks on the 90’s NY underground scene and how Funkmaster Flex almost stole his record.

The Rave scene, however, is much harder to pinpoint a motive to. Many have believed that is because there wasn’t one- making it not even classifiable as a “movement” at all. This couldn’t be further from the truth-it’s just hard for anthropologists to understand that the motive was “SIMPLY MUSIC.” This single fact puts the ‘Rave” movement closer to the early 20th century American Jazz movement- than the hippies. Folks had a hard time understanding jazz, too- provoking Louie Armstrong to his famous quote, “If you have to ask- you’ll never know.” Certainly, this is also true for the “Rave” scene.

It’s back to kick off the summer season! After the buzz from the first installment of this dub-metal show, it was inevitable for this monstrous event to keep going. Featured for Vol. 2: Mutiny is A Fight for Life, Dan Brown, Collapse of the Empire and a special collaboration between Dubstruction returners Forge by Fire and TRiLLBASS.

Tight as a drum and relentlessly upbeat, Same As He Ever Was is an irresistible progression of electro breakbeat fun that guarantees temporary amnesia from the insanity known as the real world.

Starscape Festival 2008 was definitely a dream realized. Otakon Anime Festival in Baltimore is an interesting show and always one of my most memorable. Winning the Fans Pick the DJ’s contest back in 2005 and getting a Main Room slot at CUBIK was definitely another realization of a dream. I could go on and on, but my favorite current venue to play is the Black Hole in Maryland, a little place but I love it there!

The night was capped off with a salute to the production team who had backed Amanda Davids’ latest recording, including DJ Xplisit, Shai Locke, and mastering genius Karl Machat. And then – as quickly as it had captivated us, it was over. It left us wanting. It left us excited to buy Canadian music. It left us willing to pursue the discovery of underpromoted arts and culture. It left us wishing we had restocked our cars with our favourite Herbie Hancock and Mary J. Blige cd’s for the ride home.

Everything that we did, we labeled it Domecrackers. On Friday, She Craves, Dented, and One Eyed Doll will be rocking Stubb’s (Do512 link). This was my first piece of “real” studio equipment. You weren’t sh*t unless Spinna laced you with a remix.
Famed producer DJ Spinna rose up during the mid-90’s underground rap boom in New York, leading the way for many a rapper to don Jansports and spit at the establishment. Spinna, real name Vincent Williams, came to be a rite of passage for underground rappers. You weren’t sh*t unless Spinna laced you with a remix. Consequently, he worked with everyone from Pharoahe Monch to J-Live to Mos Def to Guru from Gangstarr and even to a young Eminem.

Always check the format of the song you want to sample. The MP3 format is not well-matched with most software and typically just transfer your sample to MP3.

After taking a hiatus from hip-hop to explore house music and produce Stevie Wonder tribute shows, DJ Spinna returns with his latest album, Sonic Smash. In part one of this lengthy interview, the humble producer speaks on the 90’s NY underground scene and how Funkmaster Flex almost stole his record.

The Rave scene, however, is much harder to pinpoint a motive to. Many have believed that is because there wasn’t one- making it not even classifiable as a “movement” at all. This couldn’t be further from the truth-it’s just hard for anthropologists to understand that the motive was “SIMPLY MUSIC.” This single fact puts the ‘Rave” movement closer to the early 20th century American Jazz movement- than the hippies. Folks had a hard time understanding jazz, too- provoking Louie Armstrong to his famous quote, “If you have to ask- you’ll never know.” Certainly, this is also true for the “Rave” scene.

It’s back to kick off the summer season! After the buzz from the first installment of this dub-metal show, it was inevitable for this monstrous event to keep going. Featured for Vol. 2: Mutiny is A Fight for Life, Dan Brown, Collapse of the Empire and a special collaboration between Dubstruction returners Forge by Fire and TRiLLBASS.

Tight as a drum and relentlessly upbeat, Same As He Ever Was is an irresistible progression of electro breakbeat fun that guarantees temporary amnesia from the insanity known as the real world.

Starscape Festival 2008 was definitely a dream realized. Otakon Anime Festival in Baltimore is an interesting show and always one of my most memorable. Winning the Fans Pick the DJ’s contest back in 2005 and getting a Main Room slot at CUBIK was definitely another realization of a dream. I could go on and on, but my favorite current venue to play is the Black Hole in Maryland, a little place but I love it there!

The night was capped off with a salute to the production team who had backed Amanda Davids’ latest recording, including DJ Xplisit, Shai Locke, and mastering genius Karl Machat. And then – as quickly as it had captivated us, it was over. It left us wanting. It left us excited to buy Canadian music. It left us willing to pursue the discovery of underpromoted arts and culture. It left us wishing we had restocked our cars with our favourite Herbie Hancock and Mary J. Blige cd’s for the ride home.

Interview: Dj Spinna, Pt. 1

Interview: Dj Spinna, Pt. 1

Everything that we did, we labeled it Domecrackers. On Friday, She Craves, Dented, and One Eyed Doll will be rocking Stubb’s (Do512 link). This was my first piece of “real” studio equipment. You weren’t sh*t unless Spinna laced you with a remix.
Famed producer DJ Spinna rose up during the mid-90’s underground rap boom in New York, leading the way for many a rapper to don Jansports and spit at the establishment. Spinna, real name Vincent Williams, came to be a rite of passage for underground rappers. You weren’t sh*t unless Spinna laced you with a remix. Consequently, he worked with everyone from Pharoahe Monch to J-Live to Mos Def to Guru from Gangstarr and even to a young Eminem.

Always check the format of the song you want to sample. The MP3 format is not well-matched with most software and typically just transfer your sample to MP3.

After taking a hiatus from hip-hop to explore house music and produce Stevie Wonder tribute shows, DJ Spinna returns with his latest album, Sonic Smash. In part one of this lengthy interview, the humble producer speaks on the 90’s NY underground scene and how Funkmaster Flex almost stole his record.

The Rave scene, however, is much harder to pinpoint a motive to. Many have believed that is because there wasn’t one- making it not even classifiable as a “movement” at all. This couldn’t be further from the truth-it’s just hard for anthropologists to understand that the motive was “SIMPLY MUSIC.” This single fact puts the ‘Rave” movement closer to the early 20th century American Jazz movement- than the hippies. Folks had a hard time understanding jazz, too- provoking Louie Armstrong to his famous quote, “If you have to ask- you’ll never know.” Certainly, this is also true for the “Rave” scene.

It’s back to kick off the summer season! After the buzz from the first installment of this dub-metal show, it was inevitable for this monstrous event to keep going. Featured for Vol. 2: Mutiny is A Fight for Life, Dan Brown, Collapse of the Empire and a special collaboration between Dubstruction returners Forge by Fire and TRiLLBASS.

Tight as a drum and relentlessly upbeat, Same As He Ever Was is an irresistible progression of electro breakbeat fun that guarantees temporary amnesia from the insanity known as the real world.

Starscape Festival 2008 was definitely a dream realized. Otakon Anime Festival in Baltimore is an interesting show and always one of my most memorable. Winning the Fans Pick the DJ’s contest back in 2005 and getting a Main Room slot at CUBIK was definitely another realization of a dream. I could go on and on, but my favorite current venue to play is the Black Hole in Maryland, a little place but I love it there!

The night was capped off with a salute to the production team who had backed Amanda Davids’ latest recording, including DJ Xplisit, Shai Locke, and mastering genius Karl Machat. And then – as quickly as it had captivated us, it was over. It left us wanting. It left us excited to buy Canadian music. It left us willing to pursue the discovery of underpromoted arts and culture. It left us wishing we had restocked our cars with our favourite Herbie Hancock and Mary J. Blige cd’s for the ride home.

Everything that we did, we labeled it Domecrackers. On Friday, She Craves, Dented, and One Eyed Doll will be rocking Stubb’s (Do512 link). This was my first piece of “real” studio equipment. You weren’t sh*t unless Spinna laced you with a remix.
Famed producer DJ Spinna rose up during the mid-90’s underground rap boom in New York, leading the way for many a rapper to don Jansports and spit at the establishment. Spinna, real name Vincent Williams, came to be a rite of passage for underground rappers. You weren’t sh*t unless Spinna laced you with a remix. Consequently, he worked with everyone from Pharoahe Monch to J-Live to Mos Def to Guru from Gangstarr and even to a young Eminem.

Always check the format of the song you want to sample. The MP3 format is not well-matched with most software and typically just transfer your sample to MP3.

After taking a hiatus from hip-hop to explore house music and produce Stevie Wonder tribute shows, DJ Spinna returns with his latest album, Sonic Smash. In part one of this lengthy interview, the humble producer speaks on the 90’s NY underground scene and how Funkmaster Flex almost stole his record.

The Rave scene, however, is much harder to pinpoint a motive to. Many have believed that is because there wasn’t one- making it not even classifiable as a “movement” at all. This couldn’t be further from the truth-it’s just hard for anthropologists to understand that the motive was “SIMPLY MUSIC.” This single fact puts the ‘Rave” movement closer to the early 20th century American Jazz movement- than the hippies. Folks had a hard time understanding jazz, too- provoking Louie Armstrong to his famous quote, “If you have to ask- you’ll never know.” Certainly, this is also true for the “Rave” scene.

It’s back to kick off the summer season! After the buzz from the first installment of this dub-metal show, it was inevitable for this monstrous event to keep going. Featured for Vol. 2: Mutiny is A Fight for Life, Dan Brown, Collapse of the Empire and a special collaboration between Dubstruction returners Forge by Fire and TRiLLBASS.

Tight as a drum and relentlessly upbeat, Same As He Ever Was is an irresistible progression of electro breakbeat fun that guarantees temporary amnesia from the insanity known as the real world.

Starscape Festival 2008 was definitely a dream realized. Otakon Anime Festival in Baltimore is an interesting show and always one of my most memorable. Winning the Fans Pick the DJ’s contest back in 2005 and getting a Main Room slot at CUBIK was definitely another realization of a dream. I could go on and on, but my favorite current venue to play is the Black Hole in Maryland, a little place but I love it there!

The night was capped off with a salute to the production team who had backed Amanda Davids’ latest recording, including DJ Xplisit, Shai Locke, and mastering genius Karl Machat. And then – as quickly as it had captivated us, it was over. It left us wanting. It left us excited to buy Canadian music. It left us willing to pursue the discovery of underpromoted arts and culture. It left us wishing we had restocked our cars with our favourite Herbie Hancock and Mary J. Blige cd’s for the ride home.