I know some of the artists from that time have since become disillusioned with that era, especially with Rawkus. Live drums, guitars, keys, and vocals are mixed, remixed, and sampled on the fly using cutting-edge programs.
It’s sleazin’ season in Sacramento this weekend as we’ve got a greased up rock and roll festival called “Midnight Mass” (sacrilege, you heathens!) and a group of gals that used to be jailbait performing downtown – perhaps as a reminder to us late-twenty and early-thirty somethings that it doesn’t all have to be Saturdays at Home Depot just yet.
Looking back, I guess the funniest thing about Ravers creating their own religion-was that even those at the forefront of it, couldn’t explain it. Go figure, half the time we could barely talk (lol). My opinion on the religious aspect?- There definitely was.”something.” Was it the drugs which created this awe-inspiring feeling of “togetherness?” Or again, was it the shear power of the masses coming together? Certainly history shows us that when large crowds come together; there will be some sort of mutual feeling shared. Look at the flock to Mecca, the ability of Hitler to brainwash, Jonestown, or even just local churches. There are hundreds of examples.
There are honestly too many to name. I definitely play a lot of the breakbeat greats of today in my sets including Stanton Warriors and the Plump DJ’s and all the bigger UK Sound that I love so much now. But as far as inspiration to push myself and my craft, I get that almost exclusively from the amazing talented locals that DC has. I am lucky enough to either be in a crew with them or friends with them or constantly working on random musical projects. That is the life blood that keeps me moving!
Ensure that the samples you choose will suit your style. Thus, it is very important that you keep listening to a variety of samples in order to know how each would sound. Remember, you have to express the mood you want to suggest and the emotions you want to convey on your song.
EOTO is now a full time gig for the pair with a seemingly endless tour featuring over 700 shows and sold out performances in every market in the country. They fine-tune their approach and skill with each and every show they play, making the next performance more unique than the last.
It’s back to kick off the summer season! After the buzz from the first installment of this dub-metal show, it was inevitable for this monstrous event to keep going. Featured for Vol. 2: Mutiny is A Fight for Life, Dan Brown, Collapse of the Empire and a special collaboration between Dubstruction returners Forge by Fire and TRiLLBASS.
And then on top of that, we had shows. There were a lot of shows going on. Radio programming supported it as well. Underground hip-hop radio shows. Every night of the week in New York, you could pretty much tune in somewhere and hear underground hip-hop. So the support system was there back then.
I was approached by East West [Records]. That [Das EFX “Microphone Master”] was the first official remix and I was in Kansas. I had to get the job done so I brought Joc Max in and did it with him. Everything that we did, we labeled it Domecrackers. We eventually wanted to do a project called the Domecracker Project where me and him produce the whole record. But that still has yet to come to fruition. We talk about it all the time. He’s like a best friend, actually, like a brother. I speak to him all the time even outside of the music thing. So that’s what that Domecracker thing is, me and Joc.