Conversation and the “personal journey” seemed more important than anything else. Though it is frequently played on the radio in the UK, drum and bass’s real life line is the internet. Ensure that the samples you choose will suit your style.
The Sactown summer concert season is about to hit high gear – and we’re not talking about your Green Days, your Keith Urbans, and your “Bundles of Burnouts” tours with (insert ’80s hair metal band, featuring Bo Bice).
The 10 year “scene” from 1990-2000 in Florida certainly went through a decisive change in its course. In 1993 when I was introduced to the whole thing as a definitive “culture” (not just sitting around listening to music), you would get off work at your construction job or whatever, still be wearing your work uniform, and show up at these late night parties, eat an ecstasy pill, and enjoy some good company. Conversation and the “personal journey” seemed more important than anything else.
There were occasions of mass hallucinations things felt and seen breakbeat by multitudes of different folks on different drugs some even sober granted not many The music itself seemed to have a hallucinogenic power and if you could create a beautiful painting with your music you would literally become a God in the scene.
EOTO is now a full time gig for the pair with a seemingly endless tour featuring over 700 shows and sold out performances in every market in the country. They fine-tune their approach and skill with each and every show they play, making the next performance more unique than the last.
Samples are generally taken from “scratch”. It can be produced in several ways using a variety of instruments, downloaded through internet, or resourcefully bought by anybody.
Examiner: You just mentioned Rawkus Records. I know some of the artists from that time have since become disillusioned with that era, especially with Rawkus. Did you have any issues with the label yourself?
The use of top hip hop samples in music production still refuses to die. Until now, beat makers keep on utilizing tools, gathering and creating sounds, producing effects, and eventually prepare the stage for the musical satisfaction of the audience.