Remember, you have to express the mood you want to suggest and the emotions you want to convey on your song. That [Das EFX “Microphone Master”] was the first official remix and I was in Kansas. He started to develop his own record label Divine Mill.
It’s sleazin’ season in Sacramento this weekend as we’ve got a greased up rock and roll festival called “Midnight Mass” (sacrilege, you heathens!) and a group of gals that used to be jailbait performing downtown – perhaps as a reminder to us late-twenty and early-thirty somethings that it doesn’t all have to be Saturdays at Home Depot just yet.
My first name is short for Dionysus, the Greek god of wine, fertility and music. I used to go by DJ Dionysus in the late ’90’s but it would always get misspelled on fliers and mispronounced, so I shortened it around 2002 to DJ Nysus.
Though the home base of drum and bass is in the UK, this infectious genre has spread itself globally. Strong scenes include: Australia, New Zealand, Canada, South Africa, and the United States. Drum and bass also enjoys popular in Eastern and Northern Europe as well as South America, particularly Brazil and Venezuela. Asian drum and bass scenes include Japan, Singapore, Malaysia, and Indonesia.
The breakbeat bassline in drum and bass plays half of the speed of the drums. The changing of this equation produces “faster” and “slower” sounding tracks. Guitar riffs and extra beats are added and the BPMs are made higher to alter the sound of the song. Since 1996, tracks have remained in the mid-170 BPM range, producing what we know today as drum and bass.
Eventually, the idea of the “vibe” became more widespread, encompassing everything- the music, the people, the overall feeling of the party. Almost everyone believed in it now. Ravers believed that this entity could appear out of nowhere, much like the “Holy Spirit”, coming down upon the party and blessing it with good times.
Drum and bass branched off from the rave scene during the 1980s and since then, multiple elements have been incorporated into it. Jazz, rock, trance, metal, house, hip hop, and many other genres fused into the bass beats to give each track a unique feel.
I was approached by East West [Records]. That [Das EFX “Microphone Master”] was the first official remix and I was in Kansas. I had to get the job done so I brought Joc Max in and did it with him. Everything that we did, we labeled it Domecrackers. We eventually wanted to do a project called the Domecracker Project where me and him produce the whole record. But that still has yet to come to fruition. We talk about it all the time. He’s like a best friend, actually, like a brother. I speak to him all the time even outside of the music thing. So that’s what that Domecracker thing is, me and Joc.