Four years later in 1999, the group released its fifth album, titled Nineteen Naughty Nine: Nature’s Fury. When hip hop was nearly beginning, it was very much compulsory to keep a compilation of samples and drum breaks.
After all, some fans prefer artists that stick to a tried and true concert formula, playing a tune live that is indistinguishable from the studio version. Other fans want something a little more diverse. Bands that play a different set list every night, for instance.
In the midst of it all, it had also become a fashion show. Not so bad, right? We saw it as a good thing. Ravers were making the clothes, so buying them was supporting “us.” The idea that the scene could support itself soon came to the forefront, quickly enticing fashion designers and promoters to invest even more. Was the scene becoming “respectable?” Was it becoming a self-supporting movement- or big business?
Drum and bass branched off from the rave scene during the 1980s and since then, multiple elements have been incorporated into it. Jazz, rock, trance, metal, house, hip hop, and many other genres fused into the bass beats to give each track a unique feel.
DJ Zany is well-known as a veteran Dj, with huge experience of ten years at the producing and performing in the showbusiness industry. Audience appreciated if a DJ played more than one styles despite of hammering away in the same tone. In the career of Zany, progress and innovation are two key words.
What began as something everyone could be a part of- became something you had to “prove yourself” in to be apart of. And if you did “fit” in- you became part of the ever-building “vibe.” I remember a conversation in the mid 90s with my friend Billy, a popular breakdancer in North Florida at the time. He said, as were driving to a party in Orlando, “You see- everyone’s got a job- the dancer- the DJ- the drug-dealer. And if we all do our job right- the end result is a good “vibe.” Good god, had we made drug-dealer a “respectable profession?” The scene had become both beautiful and dangerous.
While borrowing from different styles, EOTO’s improvisational skills have resulted in a style and genre of music that is completely their own. Some may call it “dubstep” or others may find their unique sound rooted in “house/breakbeat” or even drum and bass – but one thing’s for sure, they’re experts at detonating the party bomb.
There were occasions of “mass hallucinations”- things felt and seen by multitudes of different folks on different drugs- some even sober (granted, not many). The music itself seemed to have a hallucinogenic power- and if you could create a beautiful painting with your music- you would literally become a “God” in the scene.
Whether you want the euphoric moments – or just want to have your face ripped off – you have one more chance to see EOTO in 2010. The band plays their favorite show of the year on New Years – which is set to take place on their home-stomping grounds at City Hall in Denver at 8 pm. The show also features Dieselboy, Liquidstranger, Heyoka, NastyNasty, Nit Grit, Freddy Todd, Rumblejunkie, Jantsen, S.P.E.C.T.R.E., and Ishe to name a few. Tickets are $25 in advance, $40 at the door.