Two of the most popular drum and bass website are Drum and Bass Arena and Dogs On Acid. It’s another thing when that seasoned band comes with a Q&A featuring a one-of-a-kind entertainer like Henry Rollins.
When hip hop was nearly beginning, it was very much compulsory to keep a compilation of samples and drum breaks. But as time passes by, the use of the same songs repeatedly became less indispensable because of the modern sampling technology and the overture of live instrumentation.
DJ Zany is well-known as a veteran Dj, with huge experience of ten years at the producing and performing in the showbusiness industry. Audience appreciated if a DJ played more than one styles despite of hammering away in the same tone. In the career of Zany, progress and innovation are two key words.
It was poignantly funky. It started with turntables. Then came the guitar – a riff i couldn’t stop singing for the rest of the night. The unique take on a typical blues call and response peppered with some of the slickest organ lines i have heard in many years, coupled with the sheer magnitude of the big breakbeat drums underscored Amanda Davids’ powerful voice perfectly. Then came the organ solo. The sound itself, was warm but gritty, the playing, malevolent but refined – clearly the culmination of many years of listening to the masters, and even studying with one. All i can say is that i highly reccomend buying a copy. Use it for your alarm clock and your cell phone ringtone, because it will get your attention.
Eventually, the idea of the “vibe” became more widespread, encompassing everything- the music, the people, the overall feeling of the party. Almost everyone believed in it now. Ravers believed that this entity could appear out of nowhere, much like the “Holy Spirit”, coming down upon the party and blessing it with good times.
What began as something everyone could be a part of- became something you had to “prove yourself” in to be apart of. And if you did “fit” in- you became part of the ever-building “vibe.” I remember a conversation in the mid 90s with my friend Billy, a popular breakdancer in North Florida at the time. He said, as were driving to a party in Orlando, “You see- everyone’s got a job- the dancer- the DJ- the drug-dealer. And if we all do our job right- the end result is a good “vibe.” Good god, had we made drug-dealer a “respectable profession?” The scene had become both beautiful and dangerous.
My first name is short for Dionysus, the Greek god of wine, fertility and music. I used to go by DJ Dionysus in the late ’90’s but it would always get misspelled on fliers and mispronounced, so I shortened it around 2002 to DJ Nysus.
The night was capped off with a salute to the production team who had backed Amanda Davids’ latest recording, including DJ Xplisit, Shai Locke, and mastering genius Karl Machat. And then – as quickly as it had captivated us, it was over. It left us wanting. It left us excited to buy Canadian music. It left us willing to pursue the discovery of underpromoted arts and culture. It left us wishing we had restocked our cars with our favourite Herbie Hancock and Mary J. Blige cd’s for the ride home.