The problem is, it didn’t happen exactly like we thought it would. The XP-60 had stock sounds but could you not add sounds. Because it is a type of dance music, drum and bass can be best appreciated to the fullest extent in clubs and discotheques.
Do you remember the fresh smell of the Florida air and the sweet sting of the wind through your hair while speeding down the interstate, windows down, blasting the baddess-ass Breakz track noone’s ever heard at 1AM- your crew in the back seat rolling their asses off, while you all knew you were about to entirely “make” the vibe of the party?
Looking back, I guess the funniest thing about Ravers creating their own religion-was that even those at the forefront of it, couldn’t explain it. Go figure, half the time we could barely talk (lol). My opinion on the religious aspect?- There definitely was.”something.” Was it the drugs which created this awe-inspiring feeling of “togetherness?” Or again, was it the shear power of the masses coming together? Certainly history shows us that when large crowds come together; there will be some sort of mutual feeling shared. Look at the flock to Mecca, the ability of Hitler to brainwash, Jonestown, or even just local churches. There are hundreds of examples.
December breakbeat New Year’s Eve party at New Energy in York, Pennsylvania. Definitely makes it easy to remember with it being on such a monumental New Year’s Eve.
I am happiest with the response and how many people have been inspired by it. Hearing “I don’t listen to breaks and never really liked it before I heard your CD” is really what it is all about for me. I think that if you can open up someone to your genre, then you have done your job perfectly and possibly made a new fan.
Ready Or Not, Here I Come (The Delfonics) – This music sample was actually made popular by Timberland when he arranged his partner Missy Elliott with the wonderful hit for Sock It 2 Me. This became so hot which turned out to be Missy Elliot’s best work. Da Brat was even invited on it.
That’s exactly what seasoned drummers Michael Travis and Jason Hann had in mind when they formed EOTO in 2006. Hann talked about the band’s electrifying improvisation before a recent gig in Atlanta.
Most of the “clubs” were just one room warehouses with a couple pool tables-but ALWAYS- had the best damn DJ you ever heard, spinning this “new” music. There were always couches available, for when you fell to your “personal journey.” The dancing style we think of today hadn’t evolved yet- you just closed your eyes and did whatever the music made you do. Noone judged you. It was your “journey.” We all had our own to deal with.
Whether you want the euphoric moments – or just want to have your face ripped off – you have one more chance to see EOTO in 2010. The band plays their favorite show of the year on New Years – which is set to take place on their home-stomping grounds at City Hall in Denver at 8 pm. The show also features Dieselboy, Liquidstranger, Heyoka, NastyNasty, Nit Grit, Freddy Todd, Rumblejunkie, Jantsen, S.P.E.C.T.R.E., and Ishe to name a few. Tickets are $25 in advance, $40 at the door.