Drum and bass also enjoys popular in Eastern and Northern Europe as well as South America, particularly Brazil and Venezuela. Artists like Lady GaGa and 3OH3 have brought techno beats to the masses. I got really fortunate actually, with that record.
DJ Nysus aka Dion Freeborn of Northern Virginia — who recently opened for Superstar DJ Keoki at Shorty’s in Baltimore, and shared the bill with Stanton Warriors at DC Star — is a popular fixture in the DC/Baltimore scene and beyond.
Drum and bass branched off from the rave scene during the 1980s and since then, multiple elements have been incorporated into it. Jazz, rock, trance, metal, house, hip hop, and many other genres fused into the bass beats to give each track a unique feel.
Starscape Festival 2008 was definitely a dream realized. Otakon Anime Festival in Baltimore is an interesting show and always one of my most memorable. Winning the Fans Pick the DJ’s contest back in 2005 and getting a Main Room slot at CUBIK was definitely another realization of a dream. I could go on and on, but my favorite current venue to play is the Black Hole in Maryland, a little place but I love it there!
Fellow New Jersey native Tony D, accused Naughty by Nature of stealing a sample from his breakbeat album Music Makes You Move and using it on their track “O.P.P.” The matter was settled out of court. Between albums, the group also scored a major hit with the track “Uptown Anthem”, from the soundtrack to the 1992 film Juice.
Throbbing bass and thudding beats are the signatures of the venture from Travis and Hann, born out of their shared love of electronic dance music. The project started out as an avenue for the long time friends to blow off steam and generally just have a good time playing around with technology and music.
Eventually, the idea of the “vibe” became more widespread, encompassing everything- the music, the people, the overall feeling of the party. Almost everyone believed in it now. Ravers believed that this entity could appear out of nowhere, much like the “Holy Spirit”, coming down upon the party and blessing it with good times.
The night was capped off with a salute to the production team who had backed Amanda Davids’ latest recording, including DJ Xplisit, Shai Locke, and mastering genius Karl Machat. And then – as quickly as it had captivated us, it was over. It left us wanting. It left us excited to buy Canadian music. It left us willing to pursue the discovery of underpromoted arts and culture. It left us wishing we had restocked our cars with our favourite Herbie Hancock and Mary J. Blige cd’s for the ride home.